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Ouseau de Paradis and Clemantites (chromolitho)

Ouseau de Paradis and Clemantites (chromolitho)


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Ouseau de Paradis and Clemantites (chromolitho)

734897 Ouseau de Paradis and Clemantites (chromolitho) by European School, (19th century); Private Collection; (add.info.: Ouseau de Paradis and Clemantites. Liebig card, late 19th century/early 20th century.); Look and Learn / Rosenberg Collection; European, out of copyright

Media ID 23482052

© Look and Learn / Rosenberg Collection / Bridgeman Images

Bird Of Paradise Clematis Purple Yellow


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EDITORS COMMENTS
This vibrant chromolitho print showcases the enchanting beauty of nature, featuring the majestic Ouseau de Paradis and delicate Clemantites. The European School from the 19th century masterfully captures these stunning creatures in their natural habitat, creating a visual spectacle that is both captivating and awe-inspiring. The focal point of this artwork is undoubtedly the Ouseau de Paradis, commonly known as the bird of paradise. With its striking yellow plumage and intricate patterns, it stands out against a backdrop of lush greenery. Its graceful pose exudes elegance and grace, making it a true symbol of beauty. Accompanying this magnificent bird are clusters of Clemantites or clematis flowers in various shades of purple. These delicate blooms add a touch of softness to the composition while complementing the vibrant hues found in nature's palette. The artist skillfully portrays an idyllic scene where these two elements harmoniously coexist. It serves as a reminder that even amidst chaos, there is always room for serenity and tranquility found within nature's embrace. This print transports viewers to a world where colors come alive and wildlife thrives. It celebrates the wonders of our natural world while inviting us to appreciate its intricate details with every glance. Displayed proudly in private collections around the globe, this timeless piece continues to captivate audiences with its vivid depiction of avian splendor intertwined with floral elegance.

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