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The Lamentation of Christ, c. 1515-20 (oil on panel)
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The Lamentation of Christ, c. 1515-20 (oil on panel)
LAF470818 The Lamentation of Christ, c.1515-20 (oil on panel) by Engebrechtsz, Cornelis (c.1468-1533); 71.5x39.9 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders
Media ID 28436192
© Art in Flanders / Bridgeman Images
Calvary Crown Of Thorns Crucifixion Deposition Golgotha Joseph Of Arimathaea Lamentation Mary Magdalene Mourners Nails Passion Passion Of Christ Passion Of Jesus Sorrow The Passion The Passion Of Christ Biblical Charcter Biblical Figure Christ Jesus Jesus Of Nazareth
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EDITORS COMMENTS
This print showcases "The Lamentation of Christ" a masterpiece painted by Cornelis Engebrechtsz in the early 16th century. The oil on panel artwork measures 71.5x39.9 cm and is currently housed at the Museum voor Schone Kunsten in Ghent, Belgium. In this poignant depiction, we witness the aftermath of Jesus Christ's crucifixion as his lifeless body is mourned by a group of sorrowful figures. Mary Magdalene kneels beside him, her face etched with grief, while other mourners surround them, their expressions filled with sadness and despair. Every detail in this medieval painting speaks volumes about the passion and suffering endured by Christ during his crucifixion. From the nails piercing his hands to the crown of thorns adorning his head, it serves as a powerful reminder of his sacrifice for humanity's sins. The composition exudes an atmosphere of solemnity and religious devotion that resonates deeply within Christian viewers. It transports us back to Golgotha or Calvary Hill where Jesus was crucified according to biblical accounts. Engebrechtsz's mastery shines through in every brushstroke, capturing not only physical pain but also spiritual anguish. This timeless artwork continues to inspire contemplation and reflection on themes such as faith, redemption, and divine love. "The Lamentation of Christ" stands as a testament to both Engebrechtsz's artistic skill and Christianity's enduring impact on art history. Its
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