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ILYA REPINE SELF-PORTRAIT, 1887 (oil on canvas)
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ILYA REPINE SELF-PORTRAIT, 1887 (oil on canvas)
7215248 ILYA REPINE SELF-PORTRAIT, 1887 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow, Russia; (add.info.: 1887//Oil on canvas
This self-portrait was painted during a trip to Italy in the summer of 1887. The idea for this work probably came to him after his visit to the Uffizi Gallery in Florence, famous for its collection of self-portraits, where the artist could have seen those of some of his illustrious compatriots.); Photo © Sylvain Collet
Media ID 24707814
© Sylvain Collet / Bridgeman Images
Direct Gaze Eye Contact Looking In The Eyes Muralist Painte Self Portrait Self Portraits Selfportrait Bearded Gents Portait Portriat
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EDITORS COMMENTS
This self-portrait by Ilya Repin, painted in 1887, showcases the artist's remarkable talent and introspective gaze. With a lush beard framing his face, Repin presents himself as a distinguished figure with an air of confidence and wisdom. The oil on canvas medium allows for intricate details to be captured, highlighting the artist's skillful brushwork. Repin created this masterpiece during his visit to Italy in the summer of 1887. Inspired by his time at the Uffizi Gallery in Florence, renowned for its collection of self-portraits, he sought to pay homage to his fellow countrymen who had also left their mark on art history. The intensity of Repin's eyes draws viewers into a direct connection with the artist himself. His piercing gaze evokes curiosity about what thoughts may have been running through his mind as he immortalized himself on canvas. As one explores this self-portrait further, it becomes evident that Repin was not only a painter but also a muralist—a testament to his versatility and artistic range. This print from Fine Art Finder captures every nuance and detail of Repin's original work housed in Moscow's Tretyakov Gallery. With its rich historical context and masterful execution, Ilya Repin's self-portrait is an enduring representation of both the artist himself and the vibrant artistic scene of late 19th-century Russia.
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