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Tabernacle or Chapel of the Crucifixion designed by Michelozzo di Bartolomeo (1396-1472), enamelled terracotta roof and ceiling by Luca della Robbia (1400-82), 1448
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Tabernacle or Chapel of the Crucifixion designed by Michelozzo di Bartolomeo (1396-1472), enamelled terracotta roof and ceiling by Luca della Robbia (1400-82), 1448
BEN85092 Tabernacle or Chapel of the Crucifixion designed by Michelozzo di Bartolomeo (1396-1472), enamelled terracotta roof and ceiling by Luca della Robbia (1400-82), 1448; San Miniato al Monte, Florence, Italy; (add.info.: eagles made by Maso di Bartolomeo, emblem of the Arte di Calimala; frieze emblem of Piero de Medici; commissioned by Piero il Gottoso;); Photo © Raffaello Bencini
Media ID 38402214
© © Raffaello Bencini / Bridgeman Images
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EDITORS COMMENTS
This stunning print captures the intricate beauty of the Tabernacle or Chapel of the Crucifixion, a masterpiece designed by Michelozzo di Bartolomeo and adorned with an enamelled terracotta roof and ceiling by Luca della Robbia. The attention to detail in this 1448 creation is truly awe-inspiring, showcasing the talent and skill of these renowned Italian artists.
Located in San Miniato al Monte in Florence, Italy, this chapel is a testament to the rich history and artistic heritage of the region. The eagles crafted by Maso di Bartolomeo symbolize the Arte di Calimala, while the frieze emblem represents Piero de' Medici. Commissioned by Piero il Gottoso, this chapel stands as a lasting tribute to his patronage of the arts during the Renaissance period.
The vibrant colors and intricate designs captured in this print transport viewers back in time to experience the splendor of Italian artistry at its finest. From delicate floral motifs to elaborate architectural details, every aspect of this chapel exudes elegance and sophistication.
Whether you are an art enthusiast or simply appreciate beauty in all its forms, this print is sure to captivate your imagination and inspire a sense of wonder at the enduring legacy of Italian craftsmanship.
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