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Plates of Captain Cook Voyages, Volume I. View of the inside of a house on the island of Ulietea, with representation of a dance, 1760-79 (engraving)
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Plates of Captain Cook Voyages, Volume I. View of the inside of a house on the island of Ulietea, with representation of a dance, 1760-79 (engraving)
7295524 Plates of Captain Cook Voyages, Volume I. View of the inside of a house on the island of Ulietea, with representation of a dance, 1760-79 (engraving) by Bartolozzi, Francesco (1727-1815); 22x33.5 cm; National Maritime Museum, London, UK; © National Maritime Museum, Greenwich, London
Media ID 38175668
© © National Maritime Museum, Greenwich, London / Bridgeman Images
Dom Tom French Polynesia Polynesia Polynesians Polynesisch Villager Villages 18e Siecle 18th Century 18th Centuries Inhabitant Music Instrument
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EDITORS COMMENTS
This engraving from Plates of Captain Cook Voyages, Volume I offers a glimpse into the vibrant culture of the island of Ulietea in the late 18th century. The scene depicted shows the inside of a traditional house on the island, where villagers have gathered to partake in a lively dance.
The intricate details captured by Francesco Bartolozzi bring to life the energy and spirit of the dancers as they move gracefully to music played on traditional instruments. The engraving beautifully showcases the rich cultural heritage of Polynesia, with its emphasis on community, music, and celebration.
As we study this image, we are transported back in time to witness a moment frozen in history - a snapshot of daily life on Ulietea during Captain Cook's voyages. The careful composition and delicate lines used by Bartolozzi evoke a sense of movement and rhythm that draws us into the scene.
Through this artwork, we gain insight into the social dynamics and customs of Polynesian society, highlighting their strong connection to music and dance as integral parts of their identity. This print serves as both a historical document and a work of art that continues to captivate viewers with its beauty and storytelling.
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