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A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse, Chapel of St. Jerome, 1452 (fresco)
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A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse, Chapel of St. Jerome, 1452 (fresco)
6204267 A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse, Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia, Italy; (add.info.: Church of St. Francis, Chapel of St. Jerome, At the centre of the wall, detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse. Detail at the centre of the wall
On the left, St. Jerome leaves Rome; on the right St. Jerome takes the thorn from the lions paw.
Montefalco, Complesso Museale di San Francesco, Chiesa di San Francesco, Cappella di S. Gerolamo: affreschi di Benozzo Gozzoli, 1452. Sulla parete, al centro, finto polittico con Madonna con Bambino, S. Antonio da Padova, S. Girolamo, S. Giovanni e S. Ludovico da Tolosa. A sinistra S. Girolamo lascia Roma; a destra S. Girolamo toglie la spina dalla zampa del leone.); Ghigo Roli
Media ID 25184084
© Ghigo Roli / Bridgeman Images
Affresco Anthony Of Padua Arte Benozzo Gozzoli Complesso Museale S Cristianesimo Doctor Of The Church Dottore Della Chiesa Francesco Il Quattrocento John The Baptist Louis Of Toulouse Early Xv Century Late Xv Century
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EDITORS COMMENTS
This print showcases a stunning fresco titled "A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse" by Benozzo Gozzoli. The artwork is housed in the Chapel of St. Jerome within the Church of St. Francis in Montefalco, Italy. The central focus of this piece is a beautifully crafted polyptych featuring the Virgin Mary and Child surrounded by S. Anthony of Padua, St. Jerome, St. John, and St. Louis of Toulouse. Each figure exudes grace and serenity as they come together to create a harmonious composition. To the left side of the polyptych, we witness an intriguing scene where Saint Jerome departs from Rome on his spiritual journey while on the right side he compassionately removes a thorn from a lion's paw—a powerful symbol representing his ability to tame wild instincts through faith. Benozzo Gozzoli's masterful brushwork brings these figures to life with vibrant colors and intricate details that captivate viewers' attention even after centuries have passed since its creation in 1452. This remarkable fresco not only serves as an artistic masterpiece but also offers us glimpses into religious narratives that continue to inspire awe and contemplation today.
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