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Pieta, 1575-76 (oil on canvas)

Pieta, 1575-76 (oil on canvas)


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Pieta, 1575-76 (oil on canvas)

6146555 Pieta, 1575-76 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Gallerie dell Accademia, Venice, Italy; (add.info.: Finished with help of Jacopo Negretti known as Palma the Younger (1544-1628) Palma il Giovane); Italian, out of copyright

Media ID 22375296

© Bridgeman Images

Altarpiece Broken Pediment Crown Of Thorns Crucified Crucifixion Cupola Funerary Gospels Grieving Halos Italian Renaissance King Of The Jews Lamentation Mary Magdalen Mary Magdalene Mourners Nailed Nails Niche Pieta Saint Jerome Stigmata Weeping


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> Fine Art Finder > Artists > (1476/8-1510) Giorgione

> Fine Art Finder > Artists > Titian (c.1488-1576)


EDITORS COMMENTS
This print captures the profound beauty and emotional power of Titian's "Pieta". Painted in 1575-76, this oil on canvas masterpiece is a testament to the artist's skill and mastery during the Italian Renaissance. The painting depicts the Virgin Mary cradling the lifeless body of Jesus Christ after his crucifixion. The composition exudes a sense of sorrow and mourning, with Mary Magdalene kneeling beside them in grief. The figures are bathed in soft light, emphasizing their ethereal presence amidst a dark background. The broken pediment and cupola add architectural drama to the scene, while symbols such as nails, thorns, and halos allude to Christ's sacrifice. Titian collaborated with Jacopo Negretti (Palma il Giovane) to complete this work, resulting in a harmonious blend of styles. Every brushstroke conveys deep emotion and religious devotion. Displayed at Gallerie dell'Accademia in Venice, Italy, this pieta stands as an enduring symbol of Christian faith and serves as a poignant reminder of Christ's suffering for humanity's salvation. Its intricate details and meticulous execution make it an iconic piece within Italian art history. As we gaze upon this print by Bridgeman Images, we can't help but be moved by its timeless message: love triumphs over death; hope emerges from despair; grace embraces our sorrows. It is truly an exquisite representation of religious devotion captured forever through Titian's artistic

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