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Above, German and Viennese photography, March, 1906, and below, Detail: Picasso-Braque exhibition, January, 1915 (b / w photo)
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Above, German and Viennese photography, March, 1906, and below, Detail: Picasso-Braque exhibition, January, 1915 (b / w photo)
3744650 Above, German and Viennese photography, March, 1906, and below, Detail: Picasso-Braque exhibition, January, 1915 (b/w photo) by Stieglitz, Alfred (1864-1946); Private Collection; (add.info.: Exhibition " Arrangements" at " 291."
Picasso, Pablo, 1881-1973
Braque, Georges, 1882-1963
Exposition; reliquary figure made by the Kota People of Gabon; wasp nest; )
Media ID 25191276
© Bridgeman Images
Arrangements Cubism Cubist Gabon Gallery Manhattan Modernist Viennese America Continent Americhe Braque Kota Picasso Wasp Nest
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EDITORS COMMENTS
This photograph, titled "Above, German and Viennese photography, March 1906, and below, Detail: Picasso-Braque exhibition, January 1915" captures a unique juxtaposition of two distinct artistic movements. Taken by the renowned photographer Alfred Stieglitz in his iconic gallery space "291" in Manhattan, this image showcases the convergence of German and Viennese photography from the early 1900s with the groundbreaking Cubist works of Pablo Picasso and Georges Braque. In the upper portion of the photo print, we see a collection of German and Viennese photographs on display. These images represent the innovative techniques and avant-garde aesthetics that were emerging during that time period. Below them lies a detailed view of an exhibition featuring artworks by Picasso and Braque from their influential collaboration in Cubism. The contrast between these two artistic styles is striking yet harmonious. The inclusion of additional elements such as an African reliquary figure made by the Kota People of Gabon and a wasp nest adds further depth to this composition. It highlights Stieglitz's keen eye for curating diverse art forms within his gallery space. This photograph not only captures a moment in history but also serves as a testament to Stieglitz's role as a pioneer in promoting modernist art movements in America during the early 20th century. It stands as evidence of how different cultures can intersect within one artistic realm while pushing boundaries and challenging traditional norms.
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