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P. 124-1950. ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence
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P. 124-1950. ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence
FIT83101 P.124-1950.ptl Frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience (copy R) c.1802-08 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright
Media ID 23372956
© Fitzwilliam Museum / Bridgeman Images
Christian Allegory Piper Shepherd
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This print showcases the frontispiece to Songs of Innocence: plate 1 from Songs of Innocence and of Experience by William Blake. Created between 1802-08, this etching, ink, and watercolor masterpiece measures 11.5x7 cm and is housed in the prestigious Fitzwilliam Museum at the University of Cambridge in the UK. The image depicts a profound Christian allegory that transports viewers into a world of innocence and purity. At its center stands an angelic figure with outstretched wings, radiating divine light. Surrounding this celestial being are various elements that evoke deep symbolism - a flock of sheep representing innocence, a shepherd guiding his flock towards righteousness, and a piper playing melodious tunes to soothe troubled souls. Adding to the ethereal ambiance are cherubic putti floating above, their presence emphasizing heavenly intervention in earthly affairs. The intricate details within each element showcase Blake's exceptional artistic skill and attention to detail. This print not only captures Blake's poetic vision but also serves as a reminder of the power art holds in conveying complex emotions and spiritual concepts. It invites contemplation on themes such as faith, guidance, redemption, and our innate connection with divinity. As we gaze upon this remarkable artwork captured by Bridgeman Images for Fine Art Finder, we are transported into an otherworldly realm where beauty intertwines with spirituality – an everlasting testament to William Blake's genius.
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