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Ingram Street Tearooms, Mirror, 1900-1901 (mirrored glass, stained wood)
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Ingram Street Tearooms, Mirror, 1900-1901 (mirrored glass, stained wood)
7443842 Ingram Street Tearooms, Mirror, 1900-1901 (mirrored glass, stained wood) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: E.1982.61
INGRAM STREET TEAROOMS; FURNITURE
mirror
Mackintosh, Charles Rennie
Scotland, Glasgow, Ingram Street Tea Rooms, Women's toilets (place of use)
1900-1901
mirrored glass, stained wood
overall: 1958 mm x 620 mm x 110 mm 30000 g
Full length mirror in stained wood frame, with abstract design punched out at top, designed by Charles Rennie Mackintosh for Miss Cranston's Ingram Street Tearooms, 1900-1901); © CSG CIC Glasgow Museums Collection
Media ID 33087620
© © CSG CIC Glasgow Museums Collection / Bridgeman Images
Mackintosh Charles Rennie 1868 1928
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EDITORS COMMENTS
This photograph showcases a stunning piece of art nouveau furniture - the Ingram Street Tearooms Mirror. Designed by the renowned architect Charles Rennie Mackintosh in 1900-1901, this mirror is an exquisite example of his distinctive style. The mirror features a stained wood frame with a full-length design that measures 1958 mm x 620 mm x 110 mm. At the top, an abstract pattern has been punched out, adding a touch of elegance to its overall appearance. The mirrored glass adds depth and reflection to any space it graces. Originally created for Miss Cranston's Ingram Street Tearooms in Glasgow, Scotland, this mirror was likely used in the women's toilets. Its presence would have added both functionality and beauty to the tearooms' interior. Mackintosh's attention to detail is evident in every aspect of this piece. From the carefully crafted frame to the intricate design elements, he seamlessly blends form and function into one cohesive work of art. Today, this mirror can be found at Glasgow Museums in the United Kingdom as part of their extensive collection. It serves as a testament to Mackintosh's enduring legacy and his contribution to the art movement of the early 20th century. Di Dosmo skillfully captures not only the physical attributes but also the essence and allure of this remarkable creation through her photography. Her image invites viewers to appreciate its beauty while offering glimpses into history and artistic mastery.
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