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La Danse du Kuli-Kuta (Niamey) Parodie des anciens sacrifices humains du Dahomey)
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La Danse du Kuli-Kuta (Niamey) Parodie des anciens sacrifices humains du Dahomey)
3251566 La Danse du Kuli-Kuta (Niamey) Parodie des anciens sacrifices humains du Dahomey), from Dessins et Peintures d Afrique, executes au cours de l expedition Citroen Centre Afrique, deuxieme mission Haardt Audouin-Dubreuil, pub. Paris, 1927 (colour litho) by Yakovlev, Alexander (1887-1938); Private Collection; (add.info.: The Kuli-Kuta Dance; Parody of ancient human sacrifices of Dahomey; Louis Audouin-Dubreuil (1887 - 1960); Georges-Marie Haardt (1884 - 1932); ); The Stapleton Collection; Russian, out of copyright
Media ID 23475044
© The Stapleton Collection / Bridgeman Images
Bell Dagger Dahomey Drum Human Sacrifice Knife Niger Parody Pigtail West Africa White Robes Malet
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The captivating print titled "La Danse du Kuli-Kuta (Niamey) Parodie des anciens sacrifices humains du Dahomey)" transports us to a moment of cultural significance and artistic expression. Taken during the Citroen Centre Afrique expedition in 1927, this image showcases the vibrant dance performance known as Kuli-Kuta. Intriguingly, this dance is a parody of the ancient human sacrifices that took place in Dahomey. It serves as a powerful reminder of how traditions evolve over time, transforming from solemn rituals into lively celebrations. The lithograph's colorful depiction captures the essence of this transformation, with men adorned in white robes and pigtail hairstyles engaging in rhythmic movements. Louis Audouin-Dubreuil and Georges-Marie Haardt, leaders of the expedition, are believed to have witnessed and documented this unique spectacle firsthand. Their presence adds historical context to the image, highlighting their exploration and documentation efforts throughout Africa. The composition also features various elements such as drums, knives, bells, and daggers that symbolize different aspects of West African culture. These objects contribute to the authenticity and richness portrayed within the artwork. This photograph offers viewers a glimpse into an important aspect of African heritage while showcasing Yakovlev's talent for capturing moments frozen in time. As part of The Stapleton Collection held privately today but originally published by Bridgeman Images from Fine Art Finder catalogues it represents not only artistry but also serves as a
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