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Map No. 1 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588
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Map No. 1 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588
XCF133338 Map No. 1 showing the route of the Armada fleet, engraved by Augustine Ryther, 1588 (engraving) (b/w photo) by Adams, Robert (1540-95) (after); Private Collection; English, out of copyright
Media ID 12722222
© www.bridgemanart.com
County Elizabethan English Channel Scale Strategy
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This print showcases "Map No. 1 showing the route of the Armada fleet" engraved by Augustine Ryther in 1588. The image, captured by Robert Adams, is a testament to historical significance and artistic craftsmanship. The map depicts the Spanish Armada's journey through treacherous waters, specifically the English Channel. Its intricate details highlight various elements such as scales, coats of arms, counties, battleships, and coastlines. This visual representation offers valuable insights into Elizabethan naval strategy and planning during this crucial period. As we delve into this piece further, it becomes evident that it holds immense historical value. It serves as a reminder of an epic clash between two powerful nations - Spain and England - both vying for dominance over the seas. The engraving beautifully captures the complexity of naval warfare during that era. Moreover, this photograph sparks curiosity about how military tactics were employed at sea centuries ago. It allows us to appreciate the meticulousness required in plotting routes for large fleets like the Armada. Preserved within a private collection today but available for public viewing thanks to Bridgeman Art Gallery's efforts, this artwork transcends time with its enduring appeal. It invites viewers to explore history from a different perspective while admiring Ryther's skillful engraving technique. In conclusion, this remarkable print transports us back to one of history's most significant events – offering not only an insight into naval strategies but also serving as a testament to human ingenuity and
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