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Excommunication of Robert II the Pious in 998. The King of France, son of Hugues Capet

Excommunication of Robert II the Pious in 998. The King of France, son of Hugues Capet


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Excommunication of Robert II the Pious in 998. The King of France, son of Hugues Capet

JLJ4673928 Excommunication of Robert II the Pious in 998. The King of France, son of Hugues Capet, falls in love and marries his cousin Berthe of Burgundy despite the desaprobation of Pope Gregoire V, who also excommunies him. Painting by Jean Paul Laurens (1838 - 1921), 1875. Sun 1, 3x2, 18 m Musee d Orsay, Paris by Laurens, Jean Paul (1838-1921); Musee d Orsay, Paris, France; (add.info.: Excommunication of Robert II the Pious in 998. The King of France, son of Hugues Capet, falls in love and marries his cousin Berthe of Burgundy despite the desaprobation of Pope Gregoire V, who also excommunies him. Painting by Jean Paul Laurens (1838 - 1921), 1875. Sun 1, 3x2, 18 m Musee d Orsay, Paris); Photo ePhoto Josse; French, out of copyright

Media ID 22462288

© Josse / Bridgeman Images

10 10th 10th X 10th Century 972 1031 Cigarette Excommunication Orientalism Outlandish Robert Ii The Pious V Smoker Tobacco Christendom


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> Arts > Artists > L > Jean Paul Laurens

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EDITORS COMMENTS
The captivating print captures the dramatic moment of the excommunication of Robert II the Pious in 998. Despite being the King of France and son of Hugues Capet, Robert II falls deeply in love with his cousin Berthe of Burgundy. Their forbidden union is met with disapproval from Pope Gregoire V, who takes drastic measures by excommunicating the king. Painted by Jean Paul Laurens in 1875, this masterpiece showcases a pivotal event in history. The painting's grandeur and attention to detail transport viewers back to a time when religion held immense power over monarchs and their choices. The composition skillfully portrays the tension between religious authority and personal desires. The figures are depicted with striking realism, emphasizing their emotions as they confront this challenging situation. Through Laurens' brushstrokes, we witness Robert II's defiance against papal authority while simultaneously witnessing his internal struggle. This artwork not only serves as a historical record but also raises questions about love, duty, and power within medieval society. It reminds us that even kings were subject to moral judgment and faced consequences for defying religious norms. Displayed at Musee d'Orsay in Paris, this photograph print allows us to appreciate Laurens' masterful technique while contemplating the complexities of human nature throughout different eras.

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