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The ship Charlotte from Chittagong, Bangladesh, and other ships, anchored in the Hugli River (India), in Calcutta. Oil on canvas, 1792, by Franz Balthazar Solvyns (1760-1824)
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The ship Charlotte from Chittagong, Bangladesh, and other ships, anchored in the Hugli River (India), in Calcutta. Oil on canvas, 1792, by Franz Balthazar Solvyns (1760-1824)
MMM5460161 The ship Charlotte from Chittagong, Bangladesh, and other ships, anchored in the Hugli River (India), in Calcutta. Oil on canvas, 1792, by Franz Balthazar Solvyns (1760-1824). by Solvyns, Franz Balthazar (1760-1824); National Maritime Museum, London, UK; (add.info.: The ship Charlotte from Chittagong, Bangladesh, and other ships, anchored in the Hugli River (India), in Calcutta. Oil on canvas, 1792, by Franz Balthazar Solvyns (1760-1824).); © National Maritime Museum, Greenwich, London
Media ID 38179052
© © National Maritime Museum, Greenwich, London / Bridgeman Images
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EDITORS COMMENTS
The ship 'Charlotte' from Chittagong, Bangladesh, stands proudly among other vessels anchored in the bustling Hugli River in Calcutta. Painted by Franz Balthazar Solvyns in 1792, this oil on canvas captures a moment in time where trade and transportation thrived along the waterways of India.
Solvyns' attention to detail brings each ship to life, showcasing the intricate designs and craftsmanship that went into their construction. The vibrant colors of the sails and flags contrast beautifully with the calm waters of the river, creating a scene that is both dynamic and serene.
As we gaze upon this historical artwork, we are transported back to a time when ships were not just modes of transport but symbols of power and prosperity. The cityscape of Calcutta serves as a backdrop to this maritime tableau, reminding us of the important role that ports played in connecting distant lands and cultures.
Through Solvyns' skilled brushstrokes, we are given a glimpse into the rich tapestry of life along the Hugli River - where ships from far-off places like Chittagong mingled with local vessels in a dance of commerce and exchange. This painting is not just a visual delight but also a window into an era where seafaring was at its peak.
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