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Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC)
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Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC)
JLJ4681067 Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC), Greek philosopher, abandons his ecular after seeing a child drink water in his hands at the fountain. Painting by Etienne Jeaurat (1699-1789) 18th century Sun. 1, 62x1, 95 m Paris, by Jeaurat, Etienne (1699-1789); Louvre, Paris, France; (add.info.: Diogene breaking his ecular Diogene of Sinope called the Cynic (413-327 BC), Greek philosopher, abandons his ecular after seeing a child drink water in his hands at the fountain. Painting by Etienne Jeaurat (1699-1789) 18th century Sun. 1, 62x1, 95 m Paris); Photo ePhoto Josse; French, out of copyright
Media ID 23735884
© Josse / Bridgeman Images
327 Bc 413 V Barrel Crockery Diogene Of Sinope Known As The Cynic V Glass Of Water Intellectual Mineral Water Misery Pauper Philosophy Antique Greece Grece
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EDITORS COMMENTS
The captivating print captures a profound moment in history, depicting Diogene of Sinope, the renowned Greek philosopher and cynic. In this artwork by Etienne Jeaurat from the 18th century, we witness Diogene abandoning his worldly possessions after witnessing a child drinking water from his hands at a fountain. Diogene's decision to renounce material belongings is rooted in his philosophy that true happiness lies in simplicity and detachment from societal norms. This powerful image showcases the intellectual depth of Diogene as he breaks free from the chains of materialism. The painting beautifully portrays the contrast between poverty and wealth, with Diogene surrounded by crockery and barrels while observing a child finding joy in something as basic as water. It serves as a reminder that sometimes it is through shedding our attachments to material objects that we can truly appreciate life's simplest pleasures. Etienne Jeaurat skillfully captures the essence of this pivotal moment in time, highlighting both the vulnerability and strength within human nature. The composition draws attention to the child's innocence juxtaposed against Diogene's contemplative expression, evoking deep introspection about our own values and priorities. This thought-provoking artwork invites viewers to reflect on their own relationship with material possessions and consider whether they hold us back or bring us closer to genuine fulfillment.
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