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Te Faruru (verso) 1894 (monotype, watercolour and gouache on Japanese paper)
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Te Faruru (verso) 1894 (monotype, watercolour and gouache on Japanese paper)
5307108 Te Faruru (verso) 1894 (monotype, watercolour and gouache on Japanese paper) by Gauguin, Paul (1848-1903); 34.5x26.4 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Made in the summer of 1894 when Gauguin was laid up in bed after breaking his leg at Concarneau near Le Pouldu in Brittany on 25th May. Throughout that summer he drank heavily and took morphine to alleviate the pain. As he was not able to paint, he spent his time making woodcuts and coloured monotypes. This particular kind of monotype is better described by the French term dessein empreinte ( printed or transfer drawing ). It was made by laying a piece of wet paper over a drawing in watercolour and gouache (and sometimes pastel), and then rubbing the back of the paper with a spoon so that it was impressed with a reverse image of the drawing.); eFitzwilliam Museum; French, out of copyright
Media ID 22567272
© Fitzwilliam Museum / Bridgeman Images
Post Impressionism Verso Post Impressionist
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EDITORS COMMENTS
The print captures Gauguin's "Te Faruru (verso) 1894" a mesmerizing artwork created during a challenging period in the artist's life. In the summer of that year, Gauguin found himself confined to bed after breaking his leg. To cope with the pain and boredom, he turned to art as an outlet for his creativity. Unable to paint in his usual manner, Gauguin explored different techniques and mediums. This particular piece is a monotype, watercolour, and gouache on Japanese paper. The French term "dessein empreinte" aptly describes this unique process – Gauguin would create a drawing using watercolour and gouache on wet paper before transferring it by rubbing the back of the paper with a spoon. Despite his physical limitations, Gauguin's artistic spirit remained undeterred. "Te Faruru (verso)" showcases his ability to adapt and experiment even under difficult circumstances. The vibrant colors and intricate details reveal glimpses of Polynesian culture that fascinated him throughout his career. Currently housed at the Fitzwilliam Museum in Cambridge, UK, this artwork serves as a testament to Gauguin's resilience and determination as an artist. It offers viewers an insight into both his personal struggles and creative ingenuity during this transformative period in art history. This image from Fine Art Finder allows us to appreciate not only Gauguin's technical skill but also the emotional depth behind each brushstroke or impression made during those long days spent recovering from injury.
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