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Pentecost from the Laudario of Sant Agnese, c. 1340 (tempera
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Pentecost from the Laudario of Sant Agnese, c. 1340 (tempera
5242322 Pentecost from the Laudario of Sant Agnese, c.1340 (tempera, gold and ink on parchment) by Master of the Dominican Effigies, (14th century); 43x31.7 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Opening of hymn Spirito Santo Glorioso in Ms 80 mainly illuminated by Pacino di Bonaguida); Italian, out of copyright
Media ID 22250888
© Bridgeman Images
Agnes Ascension Crucified Crucifixion Devotional Florentine Gilded Hymn Hymnal Martyred Prayer Book Trecento Confraternity Halo Santagnese
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This print showcases the exquisite artwork of "Pentecost from the Laudario of Sant Agnese" created by the Master of the Dominican Effigies in the 14th century. Measuring at 43x31.7 cm, this tempera, gold and ink on parchment masterpiece is housed in the prestigious J. Paul Getty Museum in Los Angeles. The image depicts a scene from Christian history, specifically Pentecost, where devout followers gather to witness the descent of the Holy Spirit upon them. The vibrant colors and intricate details bring this religious event to life, evoking a sense of awe and reverence. Highlighted within this illuminated manuscript are hymns dedicated to Spirito Santo Glorioso (Glorious Holy Spirit), beautifully crafted by Pacino di Bonaguida. This Italian treasure represents an important piece of Catholic devotional art during medieval times. The composition features various saints adorned with halos, including St. Agnes herself, who holds significant importance as she was martyred for her faith. The ornate decoration surrounding these figures adds a touch of grandeur and spirituality to this sacred moment. Overall, this print captures not only a historical artifact but also serves as a testament to the rich artistic heritage that flourished during Italy's Middle Ages. It invites viewers into a world where faith and creativity intertwine seamlessly through meticulous craftsmanship and devotion to religious themes.
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