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Riches, plate 2 from The Vicissitude of Human Things, 1564 (engraving)
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Riches, plate 2 from The Vicissitude of Human Things, 1564 (engraving)
BCC393574 Riches, plate 2 from The Vicissitude of Human Things, 1564 (engraving) by Heemskerck, Maarten van (1498-1574) (after); 22.3x29.6 cm; Private Collection; (add.info.: from a series of eight; Opulentia sits on a carriage drawn by horses named Fraud and Rapine; her daughter Superbia (Pride) sits between her feet; driven by Dolus (Device); attended by Usura (Usury), Libido (Lust), Proditio (Betrayal), Vana Laetitia (Empty Joy) and Vanae Voluptates (False Pleasure); ); Calmann & King Ltd; Netherlandish, out of copyright
Media ID 23475138
© Calmann & King Ltd / Bridgeman Images
Chariot Corrupt Corruption Deceit Deception Didactic Elaborate Fantastical Folly Foolish Greed Humanism Lascivious Materialism Moral Morality Parnassus Personification Personifications Plunder Rich Treasure Treasures Vice Vices Northern Renaissance
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EDITORS COMMENTS
This engraving, titled "Riches" is a stunning visual representation of the vices and moral corruption associated with materialism. Created by Maarten van Heemskerck in 1564 as part of his series "The Vicissitude of Human Things" this print measures 22.3x29.6 cm and is housed in a private collection. In this fantastical scene, Opulentia, personifying wealth and riches, sits atop a lavish carriage drawn by horses named Fraud and Rapine. Her daughter Superbia (Pride) rests between her feet while Dolus (Device) drives the chariot forward. Surrounding Opulentia are various personifications of vice including Usura (Usury), Libido (Lust), Proditio (Betrayal), Vana Laetitia (Empty Joy), and Vanae Voluptates (False Pleasure). The intricate details within the composition highlight the elaborate costumes worn by each character, emphasizing their foolishness and greed. This Northern Renaissance artwork serves as an allegory for the dangers of excessive wealth and its corrupting influence on human morality. Through its didactic nature, this engraving aims to caution viewers against succumbing to temptation and placing too much value on material possessions. It reminds us that true treasures lie not in monetary wealth but rather in virtuous actions and genuine connections with others. Van Heemskerck's masterful craftsmanship shines through in every line, capturing both the allure and deceit
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