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PD. 915-1973 Mixed flowers in a cornucopia, c. 1768 (w / c and gouache on vellum)

PD. 915-1973 Mixed flowers in a cornucopia, c. 1768 (w  /  c and gouache on vellum)


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PD. 915-1973 Mixed flowers in a cornucopia, c. 1768 (w / c and gouache on vellum)

FIT82794 PD.915-1973 Mixed flowers in a cornucopia, c.1768 (w/c and gouache on vellum) by Robins, Thomas (1716-70); 55.5x45.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Media ID 22785384

© Fitzwilliam Museum / Bridgeman Images

Anemone Iris Larkspur Lily Passion Flower Pinks Stock Sweet Williams


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> Fine Art Finder > Botanical: Flowers Pre-19th Century


PD. 915-1973 Mixed flowers in a cornucopia, c. 1768 by Thomas Robins - A Vibrant Celebration of Nature's Beauty

EDITORS COMMENTS
. This print showcases the exquisite artwork titled "Mixed flowers in a cornucopia" created by the talented artist Thomas Robins in 1768. The painting, rendered with watercolor and gouache on vellum, measures 55.5x45.2 cm and is housed at the prestigious Fitzwilliam Museum, University of Cambridge. Robins' masterpiece depicts an enchanting arrangement of various blossoms bursting with color and life. Anemones, larkspurs, passion flowers, sweet williams, irises, lilies, pinks - all meticulously painted to capture their delicate details and vibrant hues. Amongst this floral abundance are whimsical touches of nature; butterflies fluttering gracefully alongside birds perched upon the blooms. The composition evokes a sense of abundance and harmony as these diverse elements come together within the confines of a cornucopia - symbolizing plenty and prosperity. Each flower seems to have been carefully chosen for its unique beauty and significance. Through this artwork's meticulous execution and attention to detail, Robins invites us into an immersive world where nature reigns supreme. The inclusion of insects further adds depth to the scene as they buzz around these blooming wonders. As we gaze upon this stunning still life composition captured through Bridgeman Images' lens, we are reminded once again that art has

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