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Centauromachia, the centaur catches the woman by the hair (Temple of Zeus in Olympia) 470-456 BC (Marble sculpture)
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Centauromachia, the centaur catches the woman by the hair (Temple of Zeus in Olympia) 470-456 BC (Marble sculpture)
LRI4674990 Centauromachia, the centaur catches the woman by the hair (Temple of Zeus in Olympia) 470-456 BC (Marble sculpture) by Greek, (5th century BC); Archaeological Museum, Olympia, Archaia, Greece; (add.info.: Greek art: centauromachia, struggle between a centaur and a lapith, the centaur catches the woman by the hair. Western pediment of the Temple of Zeus in Olympia. 470-456 BC. Marble sculpture. Sun. 26, 39 m Archaeological Museum of Olympia. Grece.); Luisa Ricciarini
Media ID 25904624
© Luisa Ricciarini / Bridgeman Images
Ancient Greeks Ancientness Bas Reliefs Centaur Wooden Carving Antique Greece Antiquit Grece Greece Greek
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EDITORS COMMENTS
This print captures the intense struggle between a centaur and a woman, known as Centauromachia, within the Temple of Zeus in Olympia. Created by Greek artists during the 5th century BC, this marble sculpture showcases the mastery of ancient Greek art. The centaur's powerful grip on the woman's hair symbolizes violence and domination. The tension in their bodies is palpable as they engage in a fierce battle for control. This scene depicts an iconic mythological confrontation between two opposing forces. Displayed on the western pediment of the Temple of Zeus, this monumental artwork measures an impressive 26.39 meters in length. It now resides within the Archaeological Museum of Olympia, where it continues to captivate visitors with its exquisite craftsmanship. Luisa Ricciarini skillfully captures every intricate detail and emotion present in this ancient masterpiece through her lens. Her photograph allows us to appreciate not only the beauty but also the significance of this piece within Greek culture and mythology. As we gaze upon this image, we are transported back to ancient Greece, where myths were woven into everyday life and art served as a medium for storytelling. Through Ricciarini's lens, we can witness firsthand how these mythological characters come alive through stone-carved sculptures like Centauromachia.
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