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The Coliseum (ink & w/c on paper)
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The Coliseum (ink & w/c on paper)
473941 The Coliseum (ink & w/c on paper)
by Ginner, Charles (1878-1952); 32.4x45.1 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Charles Ginner's choice of this music-hall scene was a continuation of the kind of subjects painted at an earlier period by the artists of the Camden Town Group (Ginner was one of the founder members in 1911). Ginner's watercolour style was influenced by the vibrant colour and emphatic outlines of paintings by the French Post-Impressionist painter Vincent Van Gogh. Ginner had seen Van Gogh's pictures whilst living in France.
); Tyne & Wear Archives & Museums
Media ID 31717214
© Tyne & Wear Archives & Museums / Bridgeman Images
Audience Boxes Charles Ginner Coliseum Crate Curtains Ginner Charles 1878 1952 Music Hall Orchestra Pit Singing Stalls
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The Coliseum
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is a captivating print that showcases Charles Ginner's unique artistic style. This ink and watercolor painting, measuring 32.4x45.1 cm, can be found at the Laing Art Gallery in Newcastle-upon-Tyne, UK. Ginner's choice of depicting a music-hall scene in this artwork reflects his connection to the Camden Town Group, of which he was a founding member in 1911. The vibrant colors and bold outlines seen in this piece were influenced by the works of Vincent Van Gogh, whom Ginner had encountered during his time living in France. The image captures the lively atmosphere of a music hall performance with an orchestra pit filled with musicians and singers on stage. The curtains are drawn back as the audience eagerly awaits the start of the show from their seats in stalls and boxes. Through his masterful brushstrokes, Ginner brings to life not only the performers but also their surroundings - from intricate details like musical instruments to architectural elements such as stage boxes. This painting truly encapsulates the essence of a music hall experience. "The Coliseum" is a testament to Ginner's skill as both a painter and observer of human entertainment. It serves as an important representation of early twentieth-century art and continues to captivate viewers with its timeless charm.
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