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Here Comes the Bride by Robert P Weston and Bert Lee
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Here Comes the Bride by Robert P Weston and Bert Lee
Here Comes The Bride by Robert P. Weston & Bert Lee, adapted from the play by Otto Harbach and Edgar McGregor; music Arthur Schwartz. First produced at the Opera House, Blackpool, 7th October 1929 and Piccadilly Theatre, 20th February 1930. This image is from the tour to the Opera House, Leicester, 3rd November 1930. Date: 1930
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Media ID 14251360
© The Michael Diamond Collection / Mary Evans Picture Library
Anger Angry Bert Bride Bridegroom Comedies Comedy Farce Groom Panto Pantomime Rage Revue Revues Weston
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Here Comes the Bride,
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a captivating image from the 1930 production of the revue "Here Comes The Bride" by Robert P. Weston and Bert Lee, showcases a moment of high comedy and farcical tension on the stage. The photograph, taken during the tour to the Opera House in Leicester on November 3, 1930, captures the essence of this popular entertainment that first premiered at the Opera House in Blackpool on October 7, 1929, and later transferred to the Piccadilly Theatre in London on February 20, 1930. In this scene, the bride, dressed in a beautiful white gown and veil, is making her way down the aisle towards her groom, who stands nervously at the altar. However, the expression on the face of the bridegroom suggests anything but joy and anticipation. Instead, he appears to be in a state of anger and rage, with clenched fists and a furrowed brow. The reason for his outburst is not clear from the image alone, but it adds an element of surprise and intrigue to the otherwise joyful occasion. The image also features the bride's father, who seems to be trying to calm down the groom, perhaps with words of encouragement or reassurance. The use of light and shadow in the photograph adds to the drama and creates a sense of anticipation, as if we are witnessing a pivotal moment in the production. "Here Comes The Bride" was a revue that combined comedy, music, and farce, and was typical of the popular entertainment that dominated the British stage in the 1930s. The production was a huge success, and its popularity can be seen in the numerous tours and revivals that followed the initial run. This photograph provides a glimpse into the world of 1930s farcical theatre and the theatrical traditions that continue to influence stage productions today.
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