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Thats Enough!, by Harry Boden and Bert Brantford
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Thats Enough!, by Harry Boden and Bert Brantford
Promotional music sheet for Thats Enough! music hall song of 1905 by Harry Boden and Bert Brantford and sung by Harry Ford. The lyrics to the chorus seem to suggest anti-police feeling by the public. Date: 1905
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Media ID 23102724
© The Michael Diamond Collection / Mary Evans Picture Library
Bert Enjoyment Entertainer Harry Jan19 Marketing Performer Programme Promotional Publicity Sheet Singer Song Musical
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Thats Enough!
EDITORS COMMENTS
: A Riveting Glance into the Edwardian Era's Musical Entertainment This promotional music sheet for "Thats Enough!" is a fascinating peek into the world of Edwardian music hall entertainment. Created in 1905 by Harry Boden and Bert Brantford, this song was performed by the talented Harry Ford. The illustration on the sheet showcases the charisma and flair of the era's entertainers, with Harry Ford depicted in dapper attire, poised to captivate his audience. The title "Thats Enough!" is inscribed boldly at the top of the sheet, accompanied by the subtitle "A Musical Sketch in Three Acts." The lyrics to the chorus, however, seem to hint at an underlying anti-police sentiment, adding an intriguing layer of social commentary to the piece. The sheet's design is an excellent example of the marketing and advertising strategies employed during the early 1900s. With its vibrant colors, intricate illustrations, and clear, easy-to-read typography, it would have effectively drawn the attention of potential theatergoers, enticing them to attend the performance and experience the enjoyment and excitement of the music hall. The Edwardian era, with its rich cultural heritage and unique blend of leisure activities, is brought to life through this promotional music sheet. It serves as a testament to the power of music and performance to entertain, provoke thought, and connect people across generations. This image is a valuable historical document, offering a glimpse into the world of music hall entertainment during the early 1900s. It is a testament to the enduring appeal of live performance and the role it plays in shaping our collective cultural memory.
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