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Portrait of Catherine Monvoisin (La Voisin) (1640-1680) (engraving) - Affaire des poisons
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Portrait of Catherine Monvoisin (La Voisin) (1640-1680) (engraving) - Affaire des poisons
XEE4150869 Portrait of Catherine Monvoisin (La Voisin) (1640-1680) (engraving) - Affaire des poisons: Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - Engraving of 1863 in " Le Livre Rouge - Histoire De L echafaud en France" by Dupray de La Maherie - Private collection by Anonymous; Private Collection; (add.info.: Portrait of Catherine Monvoisin (La Voisin) (1640-1680) (engraving) - Affaire des poisons: Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - Engraving of 1863 in " Le Livre Rouge - Histoire De L echafaud en France" by Dupray de La Maherie - Private collection); Stefano Bianchetti; out of copyright
Media ID 22296468
© Stefano Bianchetti / Bridgeman Images
Made Various Miscellaneous Facts Poison Poisoning Witchcraft
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This engraving showcases the enigmatic figure of Catherine Monvoisin, also known as La Voisin, during the notorious Affaire des poisons in 17th century France. The portrait, created by Stefano Bianchetti and featured in "Le Livre Rouge - Histoire De L'échafaud en France" by Dupray de La Maherie, offers a glimpse into the life of this intriguing woman. Catherine Deshayes, wife Monvoisin and nicknamed La Voisin, was deeply involved in witchcraft and poisonings that plagued French society at the time. Her reputation as a skilled practitioner of dark arts earned her notoriety among both commoners and nobles alike. The artist's attention to detail brings out the complexity of Catherine's character. Her piercing gaze hints at hidden secrets while her composed expression exudes an air of confidence. The use of color adds depth to the engraving, emphasizing Catherine's allure amidst a backdrop filled with intrigue. As we delve into this historical artifact from a private collection, we are reminded of the darker side of human nature and how it can manifest through acts such as poisoning. This print serves as a reminder that even within seemingly ordinary individuals lies extraordinary potential for both good and evil. Stefano Bianchetti's portrayal captures Catherine Monvoisin's essence with precision and artistry. It is through works like these that we can explore history beyond textbooks – immersing ourselves in tales that continue to captivate our imagination
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