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Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of
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Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of
824257 Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of Flowers Around the Neck of a Greyhound at his Side, in a Landscape. (oil on canvas) by Kettle, Tilly (1735-86); 152.5x99.8 cm; Private Collection; (add.info.: Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of Flowers Around the Neck of a Greyhound at his Side, in a Landscape. Tilly Kettle (1734 x 1786). Oil on canvas. 152.5 x 99.8cm.); Photo eChristies Images; English, out of copyright
Media ID 22314060
© Christie's Images / Bridgeman Images
18th Century Painting British Art British Pictures 1500 1850 Cut Flower Early Eighteenth Century English Art English Artist Garland Greyhound Greyhounds John Frederick Kettle Neck One Animal Oriental Southeast Asian Using Hands Wooded Apparel Artist British British Artist Ethnic Origin John Graham Natural Space Portrait Style Portraiture Traditional Costume
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EDITORS COMMENTS
This portrait, titled "Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of Flowers Around the Neck of a Greyhound at his Side, in a Landscape" is an exquisite masterpiece by Tilly Kettle. Painted with oil on canvas during the early 18th century, this British artwork measures 152.5 x 99.8cm and is currently held in a private collection. The painting showcases young John Graham dressed in vibrant Indian attire while delicately placing a garland of flowers around the neck of his loyal greyhound companion. The scene takes place against a picturesque landscape filled with lush greenery and blooming flora. Kettle's attention to detail is evident through his meticulous brushstrokes that bring life to every element within the composition - from the intricate floral patterns on John's clothing to the gentle expression captured on both boy and dog alike. This portrait not only captures the beauty and innocence of youth but also reflects upon cultural influences from India during that time period. It serves as an important historical document showcasing British artistry merging with Southeast Asian aesthetics. Through this remarkable piece, Kettle transports us back to an era where nature intertwines with human existence and invites us to appreciate both its serene beauty and our connection to it.
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