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Ein Wagen mit den krahwinklisch-staberlianischen
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Ein Wagen mit den krahwinklisch-staberlianischen
Ein Wagen mit den krahwinklisch-staberlianischen Garden, Die grosse offentliche Maskerade zu Pferde und zu Wagen in Bamberg am Fastnachts Montage 1837: in kolorirten Abbildungen dargestellt auf 28 Blattern in quer Folio, Lachmuller, J. B. Chalk or crayon lithograph, hand colored, watercolor, gouache, on hand-made wove paper. 1837, The pageant wagon forms part of a Shrove Monday procession of guards, which took place in Bamberg in 1837. Described in the plates inscription as bumpkins and boors, the soldiers are shown eating at a table near a tree with sausages hanging from the branches. In a reversal of gender roles, a guard is caring for a baby, while another, dressed as a woman, holds a bayonet. J.B. Lachmuller. Bbg--inscribed below image
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18510947
© Liszt Collection
1837 Baby Bamberg Branches Chalk Crayon Lithograph Dressed Forms Garden Gouache Guard Guards Hand Colored Holds Inscribed Inscription Place Procession Soldiers Table Tree Bayonet Bumpkins Caring Described Gender Roles Montage Reversal Wagen
EDITORS COMMENTS
This vibrant and lively print captures a moment from the famous Shrove Monday procession of guards in Bamberg, Germany, in 1837. The image showcases an intricately decorated pageant wagon surrounded by members of the krahwinklisch-staberlianischen Garden. Described as "bumpkins and boors" in the inscription, these soldiers are depicted enjoying a meal at a table set near a tree adorned with sausages hanging from its branches. What makes this scene particularly intriguing is the reversal of traditional gender roles. One guard tenderly cares for a baby while another, dressed as a woman, confidently holds a bayonet. This playful subversion adds an element of humor to the overall spectacle. The artist J. B. Lachmuller masterfully captured every detail using chalk or crayon lithography techniques and hand-colored it with watercolor and gouache on hand-made wove paper. The result is an exquisite piece that beautifully portrays both the festive atmosphere of the event and the rich cultural traditions associated with Fastnacht celebrations. This print serves as not only a visual representation but also as historical documentation of this grand public masquerade on horseback and wagons that took place almost two centuries ago. It offers us insight into how society perceived gender roles during that time while celebrating the joyous spirit of carnival season in Bamberg.
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