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The Reverend Philip Cocks (1736-97), late 1760s (oil on canvas)
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The Reverend Philip Cocks (1736-97), late 1760s (oil on canvas)
AGN32042 The Reverend Philip Cocks (1736-97), late 1760s (oil on canvas) by Zoffany, Johann (1733-1810); 90x69 cm; Metropolitan Museum of Art, New York, USA; (add.info.: by Johann Zoffany); Photo © Agnew's, London
Media ID 33069242
© © Agnew's, London / Bridgeman Images
Art Fine Art Clergymen Interior Scene Johann Zoffany Neo Classicism Neoclassic Neoclassicism Neoclassisicm Royal Academician Royal Academicians Tables Wigmaker Zoffany Johann 1733 1810 18e Siecle 18th Century 18th Centuries Art Style Johan Joseph Zoffany Neo Classical Neoclassical Room Interior
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EDITORS COMMENTS
This print showcases "The Reverend Philip Cocks (1736-97)" painted by the renowned artist Johann Zoffany in the late 1760s. The oil on canvas masterpiece measures 90x69 cm and is currently housed at the Metropolitan Museum of Art in New York, USA. In this stunning portrait, Reverend Philip Cocks exudes an air of dignity and wisdom. Dressed in a traditional clergyman's attire, he stands confidently with one hand resting on a table adorned with books and papers. His piercing gaze captures our attention as we are drawn into his world. Zoffany's meticulous brushstrokes bring out every detail, from the intricate patterns on the chair to the texture of Cocks' wig. The use of color adds depth and richness to the composition, enhancing its overall impact. As we delve deeper into this artwork, we can't help but admire how Zoffany expertly portrays not only Reverend Philip Cocks but also his role as a respected member of society. This painting serves as a testament to both Zoffany's artistic prowess and Cocks' influential position within his community. Through this print provided by Bridgeman Images, viewers have the opportunity to appreciate this remarkable piece of art that encapsulates 18th-century European portraiture at its finest. It invites us to reflect upon history while marveling at the skillful craftsmanship displayed by both artist and subject alike.
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