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Tragedy Prints
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The Lowering of the Boats, from The Sphere, 27 April 1912 (litho
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Morse Code signals and illustration of the steam ship docked at Cherbourg at night
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The Need for Searchlights on Ocean Liners, from The Sphere
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Bruce Ismay, detail of Passengers on the RMS Titanic, from The Sphere
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Death of Lucretia, (oil on canvas)
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The Death of Dido, 1631 (oil on canvas)
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Hamlet and Horatio before the Grave Diggers (litho)
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The Welsh Colliery Disaster, illustration from The King
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Street in Fort de France with refugees after the eruption of Mont Pelee, Martinique
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The Tower of Siloam, illustration from The Life of Our Lord Jesus Christ
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The Meeting of Lear and Cordelia, 1784 (oil on canvas)
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The Lady of Shalott (pencil & w / c on paper)
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Sarah Bernhardt as Marguerite Gautier in La Dame aux Camelias
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Tragicomedia de Calisto y Melibea, 1502 (woodcut)
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Study for Pierre de Wissant, from the Burghers of Calais, c. 1905-10 (bronze)
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Paolo and Francesca, 1832 (oil on canvas)
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Mask with open mouth, Roman Imperial Period (30 BC-500 AD) (marble)
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Admetus and Alcestis listening to the oracle
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Admetus and Alcestis listening to the oracle
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Portrait of Francois Joseph Talma (1763-1826) as Hamlet (oil on canvas)
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Advertising Chromolithography of Chocolates Guerin Boutron, the theater through the ages
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Suhrab Slain by His Father Rustam
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Reading the Story of Oenone, c.1883 (oil on canvas)
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An Actress Playing Lady Macbeth (w / c on paper)
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The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457
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Henry I receiving news of the drowning of his son in the White Ship (oil on canvas)
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Tragic mask (stone)
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Set design of the palace interior for a performance of the opera Macbeth
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Mr H. Marston as Marc Antony, Act III Scene 2, in Julius Caesar by William Shakespeare
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Timon and Apemantus, from Timon of Athens by William Shakespeare (1564-1616) (engraving)
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Mr George Bennett as Apemantus, Act I Scene 2, in Timon of Athens by William Shakespeare
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Mr G. V. Brooke as Othello and James Bennett as Iago, Act III Scene 3
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Pyrrhus, costume for Andromache by Jean Racine
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The Actor J. B. Brizard (1721-91) in the Role of King Lear
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Portrait of Leopoldine Hugo (1824-43) (drawing)
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Posthumous portrait of Leopoldine Hugo (1824-43) 1847 (drawing)
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Homer Singing with his Lyre, early 19th century (oil on canvas)
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Miss Vandenhoff as Juliet, Act III Scene 1 of Romeo and Juliet
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Charlotte and Susan Cushman as Romeo and Juliet, Act III Scene 5 of
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Pyramus and Thisbe - Pyramus Draws His Sword to Slay Himself
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Miss Elizabeth Farren in the character of Emeline in John Drydens Arthur and Emeline
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The Admiralty Office, the Sailing Match and the Drowned Boy
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Shahru identifies Burzu as Rustams grandson during the final combat between Rustam
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Pericles took the new born infant in his arms (Pericles Prince of Tyre)
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It was in vain he told her he was her husband (the Comedy of Errors)
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Katherine was a lady of ungovernable sprit and fiery temper (The Taming of the Shrew)
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Pettruchio, pretending to find fault with every dish, threw the meat about the floor
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Helena on her knees before the countess now owned her love for Bertram (All
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Imogen had fallen asleep (Cymbeline), from Tales from Shakespeare pub
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The old king was now left with no other companion than the poor fool (King Lear)
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Oberon left the clown to finish his sleep with his fool
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Bursting from them, Hamlet followed whithersoever the spirit led
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Inside cover design, from Tales from Shakespeare pub. by Ward Lock & Co Ltd
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Hamlet and Ophelia (Hamlet) I did love thee once
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The wooing of Desdemona (Othello) Wherein I spake of most disastrous chances
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Cordelia and King Lear (King Lear) O you kind Gods
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Detail from The Tristan hanging, 1370-1400 (wool)
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Orpheus Looks Back, 1872-75 (graphite on paper)
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Ophelia (oil on canvas)
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Miss Suzanne Brocard as Alicia in Jane Shore (Richard III and Jeanne Shore) by Nepumucene Lemercier
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Comedy in the Country, Tragedy in London, 1807 (hand-coloured engraving)
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Scene from Tosca by Giacomo Puccini (chromolitho)
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Finis, illustration from Romeo and Juliet, (litho)
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Thy drugs are quick. Thus with a kiss I die
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The window let day in and life out, illustration from
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Juliet. No, no! But all this I did know'. illustration from
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Juliet, ah me!. Romeo she speaks'. illustration from
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A room in Capulets house, illustration from Romeo and Juliet, (litho)
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The meeting with Rosencrantz and Guildenstern, illustration from Hamlet
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Queen Gertrude, illustration from Hamlet (colour litho)
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Melpomene, The Muse of Tragedy, (oil on canvas)
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The Death of Dido, first performance of Les Troyens
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Design for the set of Les Caprices de Marianne
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Romeo and Juliet, 1905 (marble) (reverse of 183886)
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Burial of Atala, c. 1808 (oil on canvas)
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The Discovery of the Bodies of Pyramus and Thisbe, c. 1630-35 (oil on copper)
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Madame Morandi in the role of Camille, from Act I Scene 2 of Horatii by Pierre Corneille
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Pulling Prince Joseph Poniatowski (1763-1813) from the Elstera River, 1813 (colour litho)
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Adieu, 1892 (oil on canvas)
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The End of the Game of Cards, 1865 (oil on panel)
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Othello (oil on panel)
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Frontispiece to Pelleas and Melisande, by Claude Debussy (1862-1918)
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Medea, 1873 (oil on canvas)
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The Death of Marcus Aurelius (sketch), c. 1843
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