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Tragedy Prints
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Ships which might have rescued everyone on the Titanic if events had only been a little
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Article about the Speed of the Great Liners: A factor which makes head lights
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How the Titanic Survivors Were Picked Up by the Carpathia, from The Sphere
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How the Titanic Survivors Were Picked Up by the Carpathia, from The Sphere
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How the Titanic Gradually Sank Bow First With Her Lights Blazing to the Last
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The Lost Titanic - Where She Lies in the Atlantic, from The Sphere
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The Lost Titanic - Where She Lies in the Atlantic, from The Sphere
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How the news of the sinking of the Titanic reached Londoners, from The Sphere
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The Lowering of the Boats, from The Sphere, 27 April 1912 (litho)
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Thomas Andrews, Jr. detail of Passengers on the RMS Titanic, from The Sphere
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Rescued crew members from the Titanic being given dry clothes in New York City
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Hartley Pit Disaster (oil on canvas)
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Portrait of Count Alfonso Schiaffinati Porro, 1821
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Study for Her First Born, Horsham Churchyard (Funeral of the First Born)
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Juliet drinks the sleeping potion, 1900s (litho)
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Juliet: Is there no pity sitting in the clouds?
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Live here in heaven, and may look at her'. illustration from
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Enter Friar Laurence and Romeo, illustration from Romeo and Juliet, (litho)
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Ophelia with the king and queen, illustration from Hamlet (colour litho)
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Hamlet and the ghost, illustration from Hamlet (colour litho)
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Title page design, illustration from Hamlet (colour litho)
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Eurydice floating among flames, 1872-75 (graphite on paper)
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The Ramillies Waterlogg d, with her Admiral and Crew quitting the Wreck
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Mademoiselle George (oil on canvas) (b / w photo)
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Disaster on the Railway between Versailles and Bellevue
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Design for the chariot of Phaeton in the opera by Lully (brown ink & wash on paper)
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Earthquake and Fires in San Francisco on 18th April, 1906
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Last moments of Atala, 1871 (oil on canvas)
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Marguerite with her bouquet of white camelias in the box at the theatre
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The Storm Increased, engraved by Francis Jukes (1745-1812) published in 1795 (aquatint)
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Mask with open mouth, Roman Imperial Period (30 BC-500 AD) (marble)
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Queen Elizabeth Bidding Farewell to Her Sons, 19th century (oil on canvas)
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Study for Jean d Air, from the Burghers of Calais, c. 1905-10 (bronze)
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Study for Romeo and Juliet, The Last Scene, 1848 (pencil on paper)
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Scene from the 1848 production of Antigone at the St. James Theatre with Mlle
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David Garrick (1717-79) as Richard III, Act V Scene 3, in the play by William Shakespeare
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Mr Buckstone as Lancelot Gobbo, Act II Scene 2, in The Merchant of Venice by William
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The Tomb of Ines de Castro (d. 1355)
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Stumpwork panel, probably from a casket (embroidery)
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Jean Perier (1869-1954) in the role of Pelleas in Pelleas et Melisande
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The ill fated Donner Party, 1846 (engraving)
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Mounet-Sully (1841-1916) as Oedipus in Oedipus Rex
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The Tomb of Giuliano de Medici (1478-1516) detail of the tragic mask under the arm
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The Death of Sophonisba, 1655-65 (oil on canvas)
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Electra and the Chorus bearing vessels for libation on the tomb of Agamemnon
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Fire at the Bazar de la Charite, 4th May 1897, from Le Pelerin
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Ophelia or Evangeline (oil on panel)
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Procris (oil on canvas)
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The Death of Romeo (chromolitho)
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Romeo and Juliet, 1905 (marble) (see 195199)
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Set design for Act II of a performance of the opera Macbeth
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Jean Baptiste Brisard in the role of Vieil Horace in the tragedy
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Sarcophagus of the Muses, detail depicting Terpsichore, Urania and Melpomene, c
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Costume design for Julius Caesar from La Mort de Pompee by Corneille
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Earthquake in Edo (Tokyo) in 1659, illustration from the account by Arnold Montanus of
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Ms 1126 The Suicide of Dido by the sword and the suicide of Phyllis by hanging
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Mosaic pavement from the Roman villa at Low Ham, illustrating the story of Dido
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Mr Thomas Sheridan in the character of Oedipus in John Drydens Oedipus
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Miss Ann Brown and Mr George Mattocks in the characters of Miranda
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Jean-Baptiste Firmin as Faustus in the tragedy Sylla by Victor Joseph Etienne de Jouy
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Orpheus and Eurydice on the Banks of the River Styx, 1878 (oil on panel)
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Cleopatra, late 19th century (oil on canvas)
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Virgil Reading his Aeneid, 1796 (hand-coloured etching, engraving & stipple engraving
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The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796 (hand-coloured etching
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The Death of Abel, from The Story of Adam and Eve (oil on copper) (see also 742110-14)
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Paolo and Francesca (oil on canvas)
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La Tragedienne, 1885 (oil on canvas)
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Rustam slays Suhrab from a Shahnama (Book of kings), c. 1590-1600 (ink
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Richard the third at Bosworth (King Richard III)
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Silvia and Valentine (The Two Gentlemen of Verona)
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Romeo took leave of his dear wife with a heavy heart (Romeo and Juliet)
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The seemling friar bade her take comfort (Measure for Measure)
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Portia spoke so sweetly of the noble quality of mercy as would have softened any heart
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Frederick with looks of anger, ordered Rosalind to leave the palace (As You Like It)
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Taking off her mask, the unknown lady proved to be no niece (as was presented
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To the amazement of the beholder s, the statue came down from the pedestal
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Helena was in the utmost rage when she heard herself addressed in this manner
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Taking the Queen by the wrist, Hamlet held her fast and made her sit down (Hamlet)
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Inside cover design, from Tales from Shakespeare pub. by Ward Lock & Co Ltd
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Arviragus and Imogen (Cymbeline) Look! Here he comes
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Juliet and her Nurse (w / c on paper)
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Paolo and Francesca, 1862 (mixed media)
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Dame Ellen Terry (1847-1928) as Lady Macbeth, after a painting by John Singer Sargent
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The Sala di Apollo (Hall of Apollo) detail of pendentive depicting the muses
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