Tennyson Prints

Merlin and Viviane in the Broceliande Forest (Cycle des chevaliers de la Table Ronde
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Alfred Tennyson, lst Baron Tennyson (1809-1893) English poet
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Manuscript of The Throstle the poem by Alfred, Lord Tennyson (1809-1892)
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Crimean (Russo-Turkish) War 1853-1856
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The Revenge under command of Sir Richard Grenville (c1542-91) engaging Spanish fleet off Flores
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The Victim Illustration by AB Houghton for Tennyson's poem 1868 (engraving)
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Alfred Tennyson, 1st Baron Tennyson
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Lord Tennyson'. Portrait of Alfred Tennyson
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Adeline
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Eleanore
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Margaret
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Lady Flora
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The Light Brigade
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Alfred Tennyson
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Isabel
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Charge of the Light Brigade
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Autograph letter, with sketch of a pyramid of correspondence
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Sir Galahad. Illustration from the book The Gateway to Tennyson published 1910
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Royal Windsor Tapestry from cartoon by Herbert Bore
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Alfred Tennyson, 1st Baron Tennyson
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King Arthur, legendary British leader
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Crimean War 1853-1856: Charge of the light cavalry brigade
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Alfred Tennyson Baron Tennyson's tribute to Arthur Hallam
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Tennyson's The Cup performed at the Lyceum by Henry Irving and Ellen Terry, 1881
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King Arthur's sword Excalibur and the hand emerging from the lake
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The Death of King Arthur. Coloured illustration from the book The Gateway to Tennyson published 1910
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Tennyson, Alfred Tennyson, 1st Baron (1809-1892)
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Medieval Knight, Morning Star being readied for Battle
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Tennyson (of Aldworth and Freshwater) Alfred Tennyson
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Fighting Knights in Armour. Coloured illustration from the book The Gateway to Tennyson published 1910
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Sir Lancelot and Queen Guinevere
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A nun binds the waist of Sir Galahad with a belt made of her hair
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And down the wave and in the flame was borne a naked babe
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Lancelot looks at the dead Lady of Shalott on her arrival at Camelot
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The Marriage of King Arthur and Guinevere
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The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 62953)
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The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
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Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho)
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Merlin and Vivien (w / c with bodycolour on paper)
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He felt her tears upon his hand
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The Princess Sits in Judgement
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Guinevere: In which she saw him first, when Lancelot came (litho)
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The Lily-white Doe leaped up and laid her head in the Maidens hand
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He yielded before the steady strokes of Friar Tuck
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I m to be Queen O the May, Mother
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Maud is not seventeen (litho)
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Barefooted came the Beggar-Maid before the King Cophetua
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My Lord, I thank you for your entertainment
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Geraint had never seen so fair and sweet a lady
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Charge of the Light Cavalry Brigade
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The Lady Clare, c. 1900 (oil on canvas)
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Half light, half shade, illustration from Tennyson Pictures published by E P Dutton & Co
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I m the Queen of the May, Mother'. illustration from Tennyson Pictures
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King Cophetha and the beggar maid, illustration from Tennyson Pictures published by E P
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Maud: title page, illustration from Tennyson Pictures published by E P Dutton & Co, c
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My purpose holds'Ulysses (colour litho)
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Queen Guinevere had left the court (Guinevere) (litho)
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Tennysons Monument, illustration from The second Grinnell Expedition in Search
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Maquette for Alfred, Lord Tennyson seated at Trinity College, Cambridge, c. 1909 (plaster)
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Study for The Lady Clare, c. 1900 (red chalk on paper) (see 55018)
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Tithonus, Auroras Husband, Turned into a Grasshopper, 1731 (engraving)
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King Arthur in the Broceliande Forest (Cycle of the Knights of the Round Table
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King Arthur and Guinevere, 1884-1911 (vellum over painted paper; morocco)
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Design for a Frieze: The Dead, Oar d by the Dumb
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Dora, 1883 (oil on canvas)
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The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co
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And freedom rear d in that August sunrise, her beautiful bold brow (The Poet
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And hollow shades enclosing hearts of flame (The Palace of Art) (litho)
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Title page (colour litho)
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The return of Enoch Arden, illustration from Tennyson Pictures published by E P Dutton
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Victorian greeting card of a brook in a snowy moonlit scene, c. 1880 (colour litho)
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My soul would live alone unto herself in the high palace there (The Palace of Art) (litho
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Three angels bear the Holy Grail (Sir Galahad) (colour litho)
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We needs must have the highest when we see it'(Guinevere) (colour litho)
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He gave them charge about the Queen (Guinevere) (litho)
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Inner board decoration (colour litho)
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Front Cover (colour litho)
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Study for Mariana in the Moated Grange (oil on panel) (see MAK 618)
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