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The Laidly Worm of Spindleston Heugh, 1881 (oil on canvas)
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The Crystal Ball, 1902 (oil on canvas)
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Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)
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Miranda, Prospero and Ariel, from The Tempest by William Shakespeare, c
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Prince Charming discovers Sleeping Beauty, 1900 (colour litho)
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The Lady of Shalott, 1850 (black chalk, pen and ink on paper)
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Morte d'Arthur by Thomas Malory (d1471)
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A Witch preparing a philtre, from a manuscript by a pharmacology student
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The Astrologer, Cosimo Ruggieri (d)
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Magic book, Papyrus 416 (5v), 4th century (papyrus)
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"Instead of the four children what did she behold" (from the Children of Lir) (colour litho)
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Miniature of Nectanebus practicising the enchantments of Olympias, who lies in bed
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ACT I: Scene II, line 391 This music crept by me upon the waters
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ACT I: Scene II, line 382 BURTHEN [dispersedly]. Hark, hark
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Miniature of Nectanebus in his chamber, enchanting a basin of water
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Partial of the Book of the Dead of Nebseny
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A witch reading her magic book
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Etruscan civilization. Alabaster urn
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Melissa freeing soldiers, Canto VIII from Mad Orlando
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Partial of the Book of the Dead of Any
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What angel wakes me from my flowery bed? Titania and Bottom
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Galinthias Outwits Eileithyia By Announcing The Birth Of Heracles (Verso: Portrait Of Mrs)
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I will sing, that they shall hear I am not afraid'
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ACT III: Scene II, line 146 Sometimes a thousand twangling instruments Will hum about mine ears
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Add MS 57302r Plate incised with a magical inscription (silver)
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Or 11390 f.97r Charms to turn someone into a lion
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O Bottom, thou art changed. A scene from A Midsummer Night's Dream
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The Briar Rose: The Council Chamber, 1872-92 (oil on canvas)
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Or 3366 f.144v The male and female mandrakes
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Or 11390 f.57v Magical recipe book, c.1750 (ink & colour on paper)
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Add MS 36674 f.10r (ink on vellum) How experiments to be invisible must be prepared
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Add MS 36674 f.9v (ink on vellum) How experiments to be invisible must be prepared
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On the ground, sleep sound: I'll apply to your eye
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Titania lying asleep'. A scene from A Midsummer Night's Dream
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A mandrake being pulled out by a dog
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Harley MS 3736 f.58v Mandrake, from Herbal with treatises on food
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The first recorded mention of the phrase Abracadabra
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Prospero and Ariel, a study for a lost picture commissioned for Broadcasting House
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After a long and careful course of magical enquiries from The Arabian Nights (colour litho)
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Or 11390 f.57v Magical recipe book, c.1750 (ink & colour on paper)
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Add MS 57302r Plate incised with a magical inscription (silver)
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The first recorded mention of the phrase Abracadabra
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16th century English witches trying to influence the weather
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The Hand of Glory: used by robbers as an evil spell to make people motionless
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The Princess Burns the Elfrite to Death
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Puck helping Wayland, Smith of the Gods
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Statue of Padimahes, priest of Bastet
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Statue of Padimahes, priest of Bastet
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Instantly they lay still all turned into stone
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A Phantasmagoria: Scene - Conjuring up an Armed Skeleton
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Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
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The torture of a woman accused of witchcraft in the middle ages
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Illustration from Candide by Voltaire, published by Gibert Jeune, 1952 (colour engraving)
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A Phantasmagoria; - Scene - Conjuring-Up an Armed Skeleton, 1803 (hand-coloured etching)
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The Witch on her Broomstick, from Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs
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Scene of Witches (oil on canvas)
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The Feast vanished away, The Tempest Act III
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And to the Christening, illustration from Sleeping Beauty (w / c on paper)
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Macha curses the Men of Ulster
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The water nymphs came up to look at him and loved him
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Illustration of Der Zauberlehrling, from Goethes Werke, 1882 (wood engraving)
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Queen Maeve and the Druid, illustration from Cuchulain
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Jason tore the fleece from off the tree trunk
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Diana and Endymion, 1752 (marble)
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She whispered her spells (litho)
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Illustration for The Slippers of Cinderella, c. 1919 (w / c, pencil & ink on paper)
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Comment Tristan but le Philtre d amour, c. 1894 (litho)
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The return of Tannhauser to the Venusberg
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Study for The Magic Circle, 1886 (oil on canvas)
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She whispered her magic spells over him, and he leapt out again a youg lamb
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The Council Chamber, from The Briar Rose Series, 1890 (photogravure)
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The Briar Wood, from The Briar Rose Series, 1890 (photogravure)
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A set of sixteen tiles arranged in pairs to form eight illustrations of
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Acrasia, c. 1888 (oil and gold paint on canvas)
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Circe (The Sorceress) 1911 (oil on canvas)
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How Arthur drew forth ye sword, illustration from The Story of King Arthur
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How the Serpent that guarded the Gold Fleece was slain, from
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The Tempest, 1892 (oil on canvas)
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Macbeth, Banquo and the Three Witches on the Heath in Act I
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