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The Witches at the Sabbath, after Hans Baldung Grien, illustrated in a history of magic
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Michel de Nostradame (1503-66) and Catherine de Medici (1519-89
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The Prince arriving at the enchanted castle, illustration for
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The Black Mass, the month of August for a magic calendar published in
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The Love Potion, the month of May for a magic calendar published in Art Nouveau
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Circe Changing the Companions of Ulysses into Boars (oil on canvas)
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The Three Witches appearing to Macbeth and Banquo, 1800-1810 (oil on canvas)
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The Bewitched Piper, 1882 (pencil and watercolour)
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Prince Arthur and the Fairy Queen (oil on board)
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The Briar Rose Series, 1: The Prince Enters the Briar Wood
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Spellbound
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The Legend of the Briar Rose: The Council Room, pub. by Thomas Agnew & Sons
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Latona transforming the peasants into frogs, c. 1644 (oil on copper)
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The Prince coming into the Princesss bedroom at the enchanted castle
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Cippus depicing Horus as a child standing on crocodiles (pink granite)
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Circe, from The Childrens Hour: Stories from the Classics
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Front cover of The Great Wizard of the Norths Handbook of Natural Magic
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The Garden Court, from the Briar Rose Series, 1890 (photogravure)
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A set of sixteen tiles arranged in pairs to form eight illustrations of
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Macbeth (etching)
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The Sleeping Palace (pen and black ink)
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A set of sixteen tiles arranged in pairs to form eight illustrations of
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A Midsummer Nights Dream, 1840 (oil on canvas)
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Rinaldo Abandoning Armida, from the Room of Jerusalem Delivered in the Palazzina
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Excalibur the Sword, illustration from The Story of King Arthur and his Knights
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Sweetheart Roland, illustration from The Brothers Grimm
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Effusions of a Pot of Porter, or Ministerial Conjurations for Supporting the War
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Abracadabra, from The Ingoldsby Legends or Mirth and Marvels
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Latona and the Frogs (oil on copper)
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Pharmakeutria (Brewing the Love Philtre) (w / c)
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The Sleeping Beauty, 1908 (tempera on panel)
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Rinaldo and Armida
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Linen mummy bandage with vignettes from The Book of the Dead
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Ulysses and Calypso
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Detail from A Witches Sabbath, illustration from Tableau de L
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Incantation (w / c & b / c on paper)
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Detail depicting the deceased and his Ba, from the Book of the Dead of the Scribe Any, c
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Circe sends the Swine (The Companions of Ulysses) to the Styes
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Circe and he swine, 1929 (litho)
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Medea, 1868 (oil on panel)
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Landscape with Leto and the peasants transformed into frogs (oil)
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A Witch, upon a Mounts Edge, or Fuzelli, published by Hannah Humphrey in 1791
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La Poule Noire, work of divination and magic, used especially in the countryside between
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Black Magic, the month of November for a magic calendar published in Art Nouveau
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A Payaguas indian shaman attempting to turn away a hurricane, Paraguay
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Witches Preparing for the Sabbath (oil on panel)
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A set of sixteen tiles arranged in pairs to form eight illustrations of
From £69.98
A set of sixteen tiles arranged in pairs to form eight illustrations of
From £69.98
She changed her into a spider, illustration from The Story of Greece
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Princess Giauhara changes King Beder into a white bird, 1930s (colour litho)
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Witches scene, c. 1700 (oil on wood)
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Book and Fruit Bowl; Livre et Compotier, 1925 (oil on canvas)
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Mephistopheles inspired by Faust (coloured engraving)
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Witches scene, c. 1700 (oil on wood)
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A Sorceress, probably Circe with the cup of poison and Odysseus with his companions
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The Crystal Ball, 1902 (oil on canvas)
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Appear, flickering fire, Encircle the rock with thy flame! Loge! Loge! Appear
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The sleep of Brunnhilde, illustration from The Rhinegold and the Valkyrie
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A Witchs Kitchen, c. 1600 (pen & ink and wash on paper)
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Rinaldo Abandoning Armida, from Gerusalemme Liberata
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The Laidley Worm of Spindleston Heugel, illustration from A Picture Song Book
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The enchanted goblet, c. 1908 (colour litho)
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Study for The Garden Court, from the Briar Rose Series (w / c on paper)
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Sleeping Beauty and Prince Charming, illustration from an edition of the fairy tales of
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The Garden Court, from the Briar Rose Series, c. 1894 (oil on canvas)
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A Midsummer Nights Dream, 1895 (w / c with bodycolour on paper)
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Witch Preparing a Love Philtre, c. 1840 (litho) (b / w photo)
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The Wizard, 1898 (oil on canvas)
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Scenes of Witchcraft: Morning, c. 1645-49 (oil on canvas)
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The Witches, 1510 (woodcut)
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A set of sixteen tiles arranged in pairs to form eight illustrations of
From £69.98
The Rose Bower, from the Briar Rose Series, 1890 (photogravure)
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O, Merlin tell me that spell!'said the lady Niume
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Sleeping Groom and Sorceress, 1544 (engraving)
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The Witches at the Sabbath (engraving)
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Titania Awakes, Surrounded by Attendant Fairies, clinging rapturously to Bottom
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Illustration of the witches from Macbeth, from The Illustrated Library Shakespeare
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2619171; out of copyright
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The Incantation, or The Holy Wood, 1891 (oil on canvas)
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Landscape at Dawn, 1705 (oil on canvas)
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Invocation of Neptune, 1866 (oil on canvas)
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Medea Rejuvenating Eson (oil on canvas)
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The Counter-Spell by the Image (pencil on paper heightened with white)
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Leaving for the Sabbath, 1506 (pen & ink and gouache on paper)
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