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Scenography Prints
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Scenography for "Uncle Vania" play in 1947 at the Moscow Art Theater
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Representation of an opera: Landgrave Palace in Wartburg. 1861 (engraving)
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Scenography of Santoni and Aschieri for the third act of the opera " Turandot" by Giacomo Puccini (1858-1924)
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Sketch for the set of the first act of Maurice Ravel's ballet Daphnis and Chloe
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Theatrical backdrop, from Santangelo collection
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The Mouth of Hell, 1915 (colour litho)
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Tancosno, design for Die ägyptische Helena by Richard Strauss, 1928 (w/c on paper)
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Set design for the premiere of The Wooden Prince by Bela Bartok (1881-1945) 1917 (w/c on paper)
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Representation of the comic opera rip, 1894 (Meyer Henri)
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman)
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Illustration for scene 3 of Act V of the tragedie Andromaque by Jean Racine d'apres L'iliade by Homere
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Hairstyles and headgear, for role of Camille in performance of Don't trifle with love by Alfred de Musset
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Sketch of costume for role of Camille in performance of Don't trifle with love by Alfred de Musset (1810-1857)
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman)
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Scenography by Auguste Rube and Philippe Chaperone for Act I of William Tell by Gioacchino Rossini
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Scenography by Michael Echter for Tristan and Isolde by Richard Wagner
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman)
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman)
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Scenography by Paul Larthe for Samson
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Scenography for The Egyptian Helen (Die Aegyptische Helena)
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Set design for a performance of The Magic Flute in Vienna, 1791 (engraving)
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman)
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Scenography by Charles Cambon for Act II of William Tell by Gioacchino Rossini
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Sketch for the vault at Teatro Sociale of Bergamo (watercolour)
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Tragedic scene, sketch of the set design (watercolour)
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Theatre performance, drawing by Claude Gillot (1673-1722). France, 18th century
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Set design for Act II of Boris Godunov, by Modest Petrovich Mussorgsky, 1913 (watercolour)
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Aida, by Verdi, 1879 (sketch)
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Baldassarre Peruzzi (1481 - 1536): Scenography project for a theatrical representation
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Dramatic machinery for a theatre set including flying carriage
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The propher Opera by Giacomo Meyerbeer (Jakob Liebmann Beer)
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The prophete Opera by Giacomo Meyerbeer (Jakob Liebmann Beer)
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Illustration for scene 4 of Act I of the comedy Les litideurs by Jean Racine
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Dramatic machinery for a theatre set
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Central double page of a program of the Folies Bergere in Paris, 1927
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The prophet Opera by Giacomo Meyerbeer (Jakob Liebmann Beer)
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Bartolomeo Ammannati (Ammanati) (1511-1592)
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Set design for Mozart's Magic Flute, 1863 (illustration)
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Illustration of a scene of the theatre piece Elles tirera'by Andre Birabeau (1890-1974)
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Page from the directing book for The Insect Comedy
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The Klingsor keep for Richard Wagners Parsifal II Act'
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Page from the directing book for The Insect Comedy
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Page from the directing book for Edward II
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The Taming of the Shrew (oil on canvas)
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Scenography of Luigi Morgari (born in 1857) for the opera La Boheme
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The temple of Irminsul in the opera Norma
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Drawing for the decor of scene 3 of Act II of the opera I Lombardi'or
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Scenography of Otello, opera by Giuseppe Verdi, 1887
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Stage set for second act of Semiramide, opera by Gioacchino Rossini, 19th century
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Illustration for the scene 2, act III of Lohengrin, opera by Wagner
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Illustration for the opera Parsifal by Wagner, represented in 1882 at the theatre of
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The eruption of the Vesuve. Scenography for the opera The Last Day of Pompei
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View of the House of Salustio. Scenography for the opera The Last Day of Pompei
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Isolettas cabinet at Montolino Castle in Brittany. Scenography in 1829 of the opera
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The vestibule of the castle of Montolino in Brittany. Scenography in 1829 of the opera La
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View of a large palace room. Scenography for the ballet Gli spagnoli nel Peru
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View of the gallery decorated with paintings. Scenography for the opera I due figaro by
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Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris
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Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris
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Representation of an opera: Aida'by Giuseppe Verdi (1813-1901)
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Act III of the opera by Giuseppe Verdi Falstaff
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Scenography of Philippe Chaperon for the opera Aida by Giuseppe Verdi (1813-1901)
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Scenography of Sanquirico for the opera Anna Bolena
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Illustration for the last scene of The Mastersingers of Nuremberg by Wagner
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The Meistersinger von Nurnberg (Les Maitres Chanteurs de Nuremberg), WWV 96
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The forest of the Sibyl Albunea. Scenography for the opera drama Enea nel Lazio
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View of the suburbs of London. Scenography for the opera Giovanna Shore by Carlo Ponti
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The bedroom of the Royal Palace. Scenography in 1828 for the opera Elisabetta
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The Pavilion of Muhammad (Act II). Scenography in 1829 for the opera The siege of Corinth
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The destruction of Pompei. (Vesuve eruption) Oil painting for the opera by Giovanni
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A delicious place: view from the interior of a temple with statues
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View of the interior of the temple of Bacchus. Scenography for the opera Alessandro
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View of the hall of the palace of the Duke of Gloucester
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View of the entrance to the Royal Palace of Cleophis, mistress of King Poros
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The tomb of the Capulet family. Scenography in 1829 for the opera Giulietta e Romeo by
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A magnificent place: grand palace hall vaulted. Scenography in 1829 for the opera
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Scenography for The enchanted flute'by W. A. Mozart
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Drawing for the scenery of Scene 3 of Act II of the opera I Lombardi
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The Magic Flute (Die Zauberflote; The Magic Flute), 1791, by Mozart
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Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris
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Theatrical representation: Charlotte Corday'by Francois Ponsard (1814-1867)
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Theatrical representation: The Funerailles of Honour'(Act VII
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