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Old Master Prints
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Portrait of an unknown youth, possibly a self-portrait, WA1846
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Studies of the heads of two apostles and of their hands, WA1846
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Goya Print
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Goya Print
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Goya Print
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Nicolas Poussin, French Baroque artist, 1827 (lithograph)
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Michelangelo, from a print in the British Museum, 1827 (lithograph)
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Bartolome Esteban Murillo, Spanish Baroque painter, 1827 (lithograph)
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Illustration from Tableaux du temple des muses 1655
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Hans Holbein the younger, German Renaissance artist 1497-1543
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Leonardo da Vinci, Italian Renaissance artist, 1827 (lithograph)
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Sir Anthony Van Dyck, Flemish Baroque artist, 1827 (lithograph)
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Jan Brueghel the Elder, Flemish painter, 1827 (lithograph)
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David Teniers the Younger, 1827 (lithograph)
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Rembrandt, Dutch painter, 1827 (lithograph)
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Girolamo Francesco Maria Mazzola
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Otto van Veen, Antwerp painter, 1827 (lithograph)
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Gerhard Douw or Gerrit Dou, Dutch artist, 1827 (lithograph)
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Salvator Rosa, Italian Baroque painter, 1827 (lithograph)
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Albrecht Durer, German Renaissance painter
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Titian, Italian Renaissance painter, 1827 (lithograph)
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Frans Snyders or Frans Snijders, Flemish painter, 1827 (lithograph)
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Adriaen Brouwer, Flemish painter, 1827 (lithograph)
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Portrait of Joris Hoefnagel, Flemish painter
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Portrait of Adriaen Hanneman, Dutch Golden Age painter best known for his portraits of the exiled British royal court
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Portrait of Albrecht Durer, German painter
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Portrait of Gerrit Dou, Dutch Golden Age painter, 1613-1675
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Portrait of Pieter van Bredael
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Portrait of Leonaert Bramer, Dutch painter known primarily for genre
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Portrait of Bartolomeo Ramenghi, or Bagnacavallo, Italian Renaissance artist, 1484-1542
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Portrait of Adam Elsheimer, German Baroque painter, 1578-1610
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Portrait of Cornelius Johnsen, English portrait artist 1593-1661
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Portrait of Reverend William Holwell Carr
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Portrait of Jan Dirksz Both, Dutch painter, draughtsman, and etcher, circa 1610-1652
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Portrait of Alesso Baldovinetti, Italian Renaissance painter from Florence 1425-1499
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Portrait of Herman Saftleven the Younger, Dutch painter of the Baroque period, 1609-1685
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Portrait of Hieronymus Bosch, medieval Dutch painter from Brabant, 1450-1516
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Portrait of Giovanni Antonio Licinio called Il Pordenone
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Portrait of Marcus Gheeraerts the Younger
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Portrait of Thomas Williboirts Bosschaert, Dutch-born Flemish Baroque painter 1613-1654
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Portrait of Jan van Balen, Flemish Baroque painter of history paintings
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Annibale Carracci, Italian painter, 1827 (engraving)
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Portrait of Francesco Pesellino, Italian painter from Florence, 1422-1457
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Portrait of Gianfrancesco Penni or Giovan Francesco
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Portrait of Anthony of Messina
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Portrait of Ambrogio Lorenzetti or Ambruogio Laurati
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Portrait of Pieter de Jode the Elder
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Portrait of Gentile da Fabriano
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Portrait of Giorgio Giulio Clovio
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Portrait of Andrea dal Castagno, Italian painter from Florence, circa 1419-1457
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Portrait of Girolamo Da Carpi, Italian painter and decorator who worked at the Court of the House of Este in Ferrara
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Portrait of Domenico di Pace Beccafumi, Italian Renaissance Mannerist painter, 1486-1551
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Verso: Study of an Angel and a standing Man, WA1846. 148 (black chalk on paper)
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Verso: Various Figure Studies, WA1846. 145 (pen & brown ink with touches of lead or chalk)
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St. George, WA1846. 16 (silverpoint, heightened with white bodycolour (oxidized)
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Milon of Croton, WA1846. 9 (pen & brown ink on cream paper)
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Recto: Study for a St John the Baptist. Verso: An Eye, WA1846
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The Twelve Apostles: St. Paul, 1518-20 (chalk on paper)
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Head and hand study, 1518-20 (pencil on paper)
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Allegory of Grammatica (metalpoint on grey prepared surface
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Neoptolemus taking Andromache into captivity after the Fall of Troy (pen & ink on paper)
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Head of Pope Leo X (chalk on paper)
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St. Paul rending his garments, 1514-15 (metalpoint, heightened with white bodycolour
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Aeneas escorted by Dido, study for the border scene (3rd compartment left) of
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Verso: Study of a Herm, WA1965. 47. 5 (pen & brown ink)
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The Holy Family with the Lamb, WA1951. 46 (pen & brush in brown ink heightened with white
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Recto: The Infant Christ and other Studies, WA1855. 91 (pen & brown ink over leadpoint
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The Miraculous Mass at Bolsena, WA1846. 273 (pen & brown ink with grey wash heightened
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Verso: Study for a Figure of the Almighty, WA1846. 207 (red chalk over blind stylus)
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Verso: Studies for two kneeling Women, WA1846. 198 (black chalk)
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The Head of a Horse, WA1846. 197 (black chalk or charcoal
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Recto: The Judgement of Solomon, WA1846. 196 (metalpoint on pale green prepared paper)
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Recto: Studies of a Head and a Hand. Verso: Rough draft of the sonnets
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Verso: Figure Studies and a draft sonnet, WA1846. 186 (black chalk and pen & black ink)
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Recto: Study for the Drapery of a Man in back view (Study for the Disputa), WA1846
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Verso: Adam tempted, WA1846. 180 (pen & brown ink over some leadpoint)
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Verso: Rough Sketches of kneeling Figures, WA1846. 174 (black chalk)
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Verso: Study of the Body of Christ in a Pieta, WA1846. 171 (pen & brown ink)
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Verso: Two Female Heads and a Sketch of a Woman squatting, WA1846. 168 (black chalk)
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Recto: Study for St Catherine, WA1846. 168 (pen & brown ink on white paper)
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Recto: A Man writing in a Book, WA1846. 167 (pen & brown ink on white paper)
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