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Old Master Prints
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Portrait of Bartolomeo della Gatta
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Recto: A Caryatid, WA1965. 47. 5 (silverpoint on a pale stone coloured preparation on cream)
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The Repulse of Attila, WA1846. 277 (brush drawing in brown wash heightened with bodycolour
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An Angel, WA1846. 208 (red chalk over some blind stylus)
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Recto: The Angel appearing to Joachim, WA1846. 204 (pen & brush in yellowish-brown wash
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Recto: Nude Man seated on a Stone, WA1846. 200 (black chalk on off-white paper)
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Recto: Allegorical Figure of Theology, WA1846. 195 (pen & brown ink
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Recto: Hercules overpowering the Nemean lion, WA1846. 181
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Verso: two studies of arms, a profile looking upwards and a standing figure, WA1846
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Recto: A Youthful Warrior, WA1846. 163 (pen & brown ink, some possibly unrelated blind
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Verso: Slight architectural jottings including a cruciform ground plan, WA1846
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Recto: The Virgin and Child with St John (The Madonna del Cardellino), WA1846
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Recto: Two Studies for a Virgin and Child with St John (The Madonna del Cardellino)
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Verso: Two studies of the Head of a young Woman, WA1846
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Recto: Study of the Head of a young Woman, WA1846. 157 (black chalk on off-white paper)
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Verso: Two Studies of Amorini, WA1846. 154 (pen & brown ink)
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Adoration of the Holy Family in an interior (pen & brown ink with brown wash
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The Resurrection (pen & brown ink and white bodycolour on paper)
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Recto: Study for a Figure of the Almighty, WA1846. 207 (red chalk over blind stylus)
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The Coronation of the Virgin, WA1846. 206 (pen & brown ink over blind stylus
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Recto: Studies for two kneeling Women, WA1846. 198 (black chalk)
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Studies for a figure of Minerva and other statues (Study for the School of Athens)
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Recto: Studies for a Group of flying Angels, WA1846. 190 (pen & brown ink on white paper)
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Recto: Study for the Figure of Melpomene, WA1846. 182 (pen & brown ink over blind stylus)
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A battle of nude warriors with captives, WA1846. 179 (pen & brown ink over black chalk)
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Recto: Female figure walking to right, WA1846. 169 (pen & brown ink over leadpoint)
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Verso: Sketches of two male Heads and a pair of Hands, WA1846
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Verso: The dead Christ carried to the Tomb, WA1846. 166 (pen & brown ink on white paper)
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Group of Vintagers, c. 1505-07 (pen & brown ink on off-white paper)
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Studies for a guard in a Resurrection and of an angel, WA1846
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Recto: Back view of a standing man, after Signorelli; the drapery of a kneeling figure
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Verso: Figure of Victory, WA1846. 138 (pen & brown ink on paper
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Studies of a Head and a Hand, WA1846. 8 (pen & brown ink and wash over leadpoint)
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Verso: An Antique Vessel, WA1846. 6 (pen & brown ink)
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Verso: A Study for a Figure in an Adoration of the Magi, WA1846. 5 (black chalk)
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Recto: A Study for a Figure in an Adoration of the Magi, WA1846
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Imaginary Self Portrait of Titian (oil on canvas)
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Oval portrait of Arnold Houbracken
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Portrait of Giorgione, Italian painter of the Venetian school during the High Renaissance from Venice
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Portrait of Franciabigio, Italian painter of the Florentine Renaissance, 1482-1525
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Portrait of Giovanni Battista di Jacopo
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Portrait of Antonio del Pollaiuolo
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Portrait of Baldassare Tommaso Peruzzi
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Portrait of Cristofano Gherardi or Cristoforo Gherardi
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Portrait of Giovanni Battista Franco
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Portrait of Pietro Cavallini, Italian painter and mosaic designer of the late Middle Ages
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A Triton Bringing Gifts to Venus (red chalk)
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Alexander Meeting Campaspe(pen and ink over black chalk on brown ground)
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The Flight of Cloelia and Her Companions, 1650-1700 (pen and brown ink
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Husband and wife (busts) in central circle (black chalk, some with pen and brown ink
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Two Antique Deities, c. 1600 (pen and brown ink and brown wash)
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Three Drawings after the Antique, c. 1750 (brush drawing heightened in brown wash over
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Copy of a mosaic of man and crocodile (black chalk, some with pen and brown ink
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Putti and Infant Satyrs Pressing Grapes (pen and brown ink and brown wash)
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Neptune and Amphitrite(pen and brown ink and brown wash over red chalk)
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Recumbent Danae with the Cupids Shown (black chalk, some with pen and brown ink
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Priapic Lamp (pen)
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The side portico of the Lateran (pen)
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The Cippus of M. Julius Victor (pencil)
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Three silver panels from the front of a wooden chest (black chalk
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Ornamenti che tramezzano le vitorie delle amazzoni le uni fatti di coloretti altri di
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Two Amazons fighting against two warriors (pencil)
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Male figure to left holding with his left hand the hand of a dancing girl (pen)
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Design for a ceiling fresco (black chalk)
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A design for a ceiling fresco (black chalk, some with pen and brown ink
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Large design of a wall with paintings. (black chalk, some with pen and brown ink
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Del Palazzo di Tito trouato nell orto delle sette Sale contiguo alle Terme in sul
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Landscape with a Round Temple (pen and brown ink and coloured washes)
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Jupiter and Diana, (red and black chalk on parchment)
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A Vase (black chalk, some with pen and brown ink. coloured with w / c)
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A Design for a Mitre (watercolour)
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The Tiara of Pope Julius II (watercolour)
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Bronze Eagle, 1700-1750 (pen and brown ink with brown and grey wash)
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Vaulting of the Villa Madama (black chalk, some with pen and brown ink
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Bust, 1700-1750 (red chalk)
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Mars, 1700-1750 (red chalk)
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Aesculapius, 1700-1750 (red chalk)
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Athena, 1700-1750 (red chalk)
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The Emperor Constantine, addressing his troops, startled by the vision of the Cross in
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Charity, WA1846. 294 (black chalk with very few touches of white heightening rubbed in)
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Recto: Architectural Design (Villa Madama), WA1846. 215
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Recto: Two nude Studies, WA1846. 210 (black chalk with white heightening
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Verso: Composition of two Figures representing the Meeting of Joachim and Anna, WA1846
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Verso: Five Sketches of Strapwork, WA1846. 196 (pen & brown ink)
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