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Decadent Prints
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Poster advertising Codorniu Champagne (colour litho)
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A Banquet in Neros palace, illustration from Quo Vadis
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La Beale Isoud at Joyous Gard, 1894 (engraving)
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The Tree of Vices
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A cartoon strip mocking the French monarch's life of idleness and luxury
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The Angel of Death, plate 53 from A Book of Images
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The gap, plate 35 from A Book of Images, introduced by W. B. Yeats, 1898 (litho)
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The path to the Moon, plate 39 from A Book of Images
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Luxury distracts warriors, illustration from Psychomachia, by Prudentius (vellum)
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Nocturne, plate 33 from A Book of Images, introduced by W. B. Yeats, 1898 (litho)
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The wave, plate 31 from A Book of Images, introduced by W. B. Yeats, 1898 (litho)
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The viaduct, plate 37 from A Book of Images
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Fast asleep, The caricatures of Gillray; with historical and political illustrations
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Assumptio, plate 59 from A Book of Images, introduced by W. B. Yeats, 1898 (litho)
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Temptation, plate 49 from A Book of Images
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Men smoking opium, sitting or lying on the ground, c.1870 (w/c on paper)
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Reine de Joie, 1892 (lithograph)
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Le Chahut, 1890 (oil on canvas)
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Bandelures, published by S. W. Fores in 1791 (etching)
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Frontispiece for The Yellow Book: An Illustrated Quarterly
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The Stomach Dance, from Salome by Oscar Wilde (1854-1900) 1893 (line block print)
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The Dancers Reward, illustration from Salome by Oscar Wilde, pub. 1894 (line block print)
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The Ballroom at 17 Grosvenor Place, London, 1890 (b / w photo)
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The purple drawing-room in the Kuskovo Palace, c. 1915 (oil on canvas)
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Love of Luxury, 1926 (pochoir)
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Poster for Le Moulin Rouge, 1891 (lithograph)
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Illustration for The Yellow Book (litho)
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Front Cover Design for The Savoy, 1896 (litho)
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The Climax, illustration from Salome by Oscar Wilde, 1893 (line block print)
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J ai baise ta bouche, Jokanaan (I kissed your mouth, John)
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The Feast of Anthony and Cleopatra (oil on canvas)
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Debauche, 1896 (lithograph)
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A Rakes Progress, Plate 3, 2nd State, 1735 (engraving)
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Sarah Brown Posing as Cleopatra for the Bal des Quat z arts, 1893 (b / w photo)
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Group portrait including Edmund Lincoln Baylies (seated centre) and Ruth Payson (Mrs. E. L
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Portrait of five men (including Coleman Drayton, August Belmont
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Woman in a Bookshop, design for a Yellow Book cover (unused) c
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Lazarus and the Rich Man, c. 1550 (oil on canvas)
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At the Moulin Rouge Two Women Walzing, 1892 (oil on canvas)
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Yvette Guilbert, 1894 (colour lithograph)
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Champs-Elysees. Jardin de Paris, 1890 (colour lithograph)
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The Romans of the Decadence, 1847 (oil on canvas)
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Group portrait of Mr. Barton Willing, Miss Alice Blight, Miss Eleanor Jay (Mrs
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Group portrait of Sydney Dillon Ripley with three others at the James Hazen Hyde Ball
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Self Portrait Tied to a Herm (engraving) (b&w photo)
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The Drawing Room at 17 Grosvenor Place, London (b / w photo)
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Richard Wagner, c. 1875 (engraving)
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The Feast of Esther, c. 1625
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First sitting for a portrait, 1895 (engraving)
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The Wedding of Peleus and Thetis, 1612 (oil on copper)
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Dancing at the James Hazen Hyde Ball, New York, January 31, 1905 (silver gelatin print)
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Portrait of opera singer Antonio Scotti with an unidentified man
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Interior of a Flower Boat, Canton, c. 1880s (b / w photo)
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La Beale Isoud at Joyous Gard, illustration from Le Morte d Arthur, pub
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The Supper after the Masked Ball, c. 1855 (woodcut with painted & stenciled additions
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Salome with her mother, Herodias, 1894 (litho) (b / w photo)
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Seated Female Clown (Mlle Cha-U-Kao), 1896 (lithograph)
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Standing Girl, c. 1908-09 (charcoal & tempera on paper)
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Visit to the Wiertz Museum in Brussels, 1874 (engraving)
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The Arch of Janus: Excavation of the Forum Boarium, 1833 (etching with brown wash)
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Portrait of an unidentified man and woman at the James Hazen Hyde Ball, New York
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Portrait of an unidentified man and woman at the James Hazen Hyde Ball, New York
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Group portrait of Mrs. Douglas Robinson, Franklin Plumer, Miss Pauline Riggs, Mr
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Group portrait of Sydney Dillon Ripley, Mrs. J. T. Burden, Mrs. Wm
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The Flying Coquette, c. 1784 (colour engraving)
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An Allegory of Reason overcoming Desire (oil on panel)
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A Literary Salon in the 18th Century (pen and sepia wash on paper)
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Le Bon Genre: Le Walse, after Carle Vernet (1758-1836), 1810 (hand-coloured etching)
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A Modern Belle going to the Rooms at Bath, published by Hannah Humphrey in 1796
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The Feast of Mark Anthony and Cleopatra, c. 1705-10 (oil on canvas)
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A modern Belle going to the Rooms at Bath, pub. 1796 (hand coloured engraving)
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Fete champetre with Turkish Courtiers under a Tent, c. 1720-37 (oil on canvas)
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Postcard depicting the Bedroom of Francoise d Aubigne
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Gamblers in the Foyer (oil on canvas)
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The Boudoir at 17 Grosvenor Place, London (b / w photo)
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Illustration from Visitation of a London Exquisite to his Maiden Aunts in
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Genesis Chapter 6, verse 9, c.1600 (engraving on wove paper)
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Frontispiece to An Evil Motherhood, pub. by Elkin Mathews and Walt Ruding
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Boheme, c. 1910 (deck paint and chalk on paper)
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A Duchess at the court of Louis XVI wearing a dress with paniers
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Woman before a Mirror, 1897 (oil on cardboard)
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The Englishman at the Moulin Rouge, 1892 (oil on cardboard)
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Aristide Bruant, at His Cabaret, 1893 (lithograph)
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