Bleak Prints

Monk by the Sea, 1808-10 (oil on canvas)
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Poor Fauvette, 1881 (oil on canvas)
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Interior (Lady with a Hat), 1891 (oil on canvas)
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Cape Evans in Winter (colour litho)
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The Vanguard, 19th century (w / c)
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Our Advance to (La) Boiselle, July 1916 (w / c)
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Valley of the Shadow of Death, Crimea, 1855 (salt print)
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The Tree of Crows, 1822 (oil on canvas)
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An American Sherman tank called "Hun Chaser" of the HQ Company of the 747th Tank Battalion (Task Force Cota)
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Rheinwiesenlager Sinzig: former Wehrmacht nurses in a Prisoner of War Temporary Enclosure (PWTE)
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The defence of Bastogne; US troops look for parachute drop of supplies from Allied aircraft
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Rheinwiesenlager Sinzig: Wehrmacht soldiers in a Prisoner of War Temporary Enclosure (PWTE)
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Amada, 7.25 am, 1 February 1867 (422), 1867 (pen and brown ink with w/c over graphite)
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Anguish, c.1878 (oil on canvas)
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The Storm, 1876 (oil on canvas)
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Bleak House by Charles Dickens in 1852-1823 the novel which satirised the misery caused by the old Chancery court
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Three actresses in a historical play about Russian life at the Narodny Dom Theatre
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Two people walking through the ruins of Saint-Lo, August 1944 (photo)
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The Church of Notre Dame heavily damaged in the attacks on Saint-Lo, August 1944 (photo)
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An opium den in Central Asia, illustration from The World in the Hands
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Faggot Gatherers, Grez-sur-Loing, 1880 (w/c on paper)
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Returning to the Trenches, 1916 (engraving)
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The Coast of New Jersey, 1874 (oil on canvas)
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Bleak (Alburnus alburnus), Cyprinidae, drawing
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Fishes: Bleak (Albrunus albrunus alborella), illustration
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Thawing Snow, 1895
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Gas House District, 1932 (oil on canvas)
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The Laundresses, c.1756-61 (oil on canvas)
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Set design for Rusalka (pencil & wash on paper)
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Black and White. Midst of all was a cold white face'
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Gray Day in Normandy, c.1910 (oil on canvas)
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Harley 3469 f.33v The Sun, illustration from Splendor Solis, 1582 (vellum)
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People standing and sitting outside their houses
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Landscape with Cascade, 1670s (oil on canvas)
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Winter River Landscape (oil on canvas)
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Landscape, New Mexico (oil on canvas)
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Shellburst, Zillebeke, 1917 (coloured chalks on brown paper)
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Approaching Storm, c.1820-25 (oil on canvas)
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Void of War, 1918 (litho)
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Knight armed for the bond, a joust where the horse's eyes were covered
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Knight in armour for a joust a la haute bard
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The Scuirr of Eigg (w/c on paper)
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Austrian soldier in a trench on the eastern front, Russia, 1915 (photo)
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Newby Bridge, Windermere (oil on canvas)
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Carneddau Mountains from Pencerrig, c.1776 (oil on paper on canvas)
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Winter, The Plain of Chailly, c. 1862-66 (pastel on paper)
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Melampus and the Centaur, 1919 (oil on canvas)
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March of Civlisation, 1940 (oil on canvas)
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Wounded, Passchendaele, 1918 (oil on canvas)
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View from London Road Station, Hoyle's Print Works (w/c on paper)
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Reliefs at dawn, 1918 (litho)
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Nocturnal Landscape, 1938 (oil on canvas)
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Jack the Ripper's Bedroom, 1906-07 (oil on canvas)
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The cursed wood, 1918 (litho)
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No Hay Quien Los Socorra (There is no one to help them)
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The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)
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Bleak House. Illustration by Harry Furniss for the Charles Dickens novel Bleak House
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Lady Dedlock and Jo. He was put there
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The Turveydrops, Senior and Junior
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Street Scene in Winter, 1912 (oil on canvas)
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Alaskan gold rush, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan (b/w photo)
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The Smallweed Family. What work are you about now? says Judy Smallweed
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Crater Lake, Dyer Trail, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan
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Rocking on Nome Beach, from One Man's Gold Rush: A Klondike Album by Murray Cromwell Morgan (b/w photo)
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Before Spring (w/c on paper)
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Execution (w / c on paper)
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Execution (w / c on paper)
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Landscape, 1864 (black & white chalks on paper)
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The Shore, 1923 (oil on canvas)
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Evening Landscape (w / c on paper)
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Furnace and Snow, Landscape (oil on canvas)
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The Silver Sunset (oil on canvas laid on board)
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Leading the Barge Pony (w / c with pastel on paper)
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Pit wheels (w / c on paper)
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Oxenbridge Pond, 1927-28 (oil on canvas)
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Zero, 1937 (oil on canvas)
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Hunters, 1940 (oil on canvas)
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Winding Gear (charcoal on paper)
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Northern France: abandoned trenches after World War One (etching)
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In the Gin Pit (w / c on paper)
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Black Country Church (etching)
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