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Apocalyptic Prints
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After the Bacchanal, 1898 (oil on canvas)
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The Four Horsemen of the Apocalypse, 1887 (oil on canvas)
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Apocalypse and destruction of a city, detail from the Chapel of Our Lady (fresco)
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3597207 Triptych Panel with the Archangel Michael
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3597225 The Last Judgment, 1553-54 (oil on panel) by Huys
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Knights of Apocalypse, early 13th century fresco in Crypt of Saint Magnus
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Detail from Apocalypse, opening of Fifth Seal
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Apocalyptic Christ, detail from Apocalyptic Christ in Vesica Piscis or mandorla mistica
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Apocalyptic Christ with Seven Angels
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Confederate newspaper editorial (engraving)
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Apocalyptic Scene, late 13th-early 14th century (tempera & gold leaf on parchment)
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The Four Horsemen of the Apocalypse, from The Apocalypse, c.1497-98 (woodcut)
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Angels of Apocalypse killing demons
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Angels of Apocalypse killing demons
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Italy, Varallo Sesia, The fire of Troy, Scene from the Aeneid, Fresco detail
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The Four Horsemen, from The Apocalypse of St. John, 1497-98 (woodcut)
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Add 11695 fol.197 An angel standing in the sun
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The Apocalypse of St. John (painted plaster)
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The Apocalypse of St. John (painted plaster)
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The Apocalypse of St. John (painted plaster)
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Death comes for Adam and Eve in the Garden of Eden
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Tapestry fragment depicting an angel in a landscape
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Wounded, Passchendaele, 1918 (oil on canvas)
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The Landscape: Hill 60, c. 1917 (ink & w/c on paper)
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The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)
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The Worship of the Lamb, design for a stained glass window at St Edmund Hall
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Detail of the right panel of the Triptych of Saint John the Baptist and Saint John the Evangelist
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The Calamities of Humanity, 1600 (oil on wood)
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Detail of the right panel of the Triptych of Saint John the Baptist and Saint John the Evangelist
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Detail of the right panel of the Triptych of Saint John the Baptist and Saint John the Evangelist
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Torture of St. Catherine of Alexandria (woodcut)
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Aeneas and the Sibyl in the Underworld, 1630s (oil on copper)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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Last Judgement, the Damned, 1499-1502 (fresco)
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The Martyrdom of St. Catherine (woodcut)
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The Dragon Fighting with the Servants of God
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Scene from the Apocalypse, The Four Vengeful Angels
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Apotheosis of Hoche, published by Hannah Humphrey in 1798 (hand-coloured etching)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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Hell (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The ancient tradition illustration and text from The Marriage of Heaven and Hell
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Illustration from The Marriage of Heaven and Hell, c. 1808 (hand-coloured etching)
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Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)
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Aeneas and the Sibyl in the underworld, c. 1604 (oil on copper)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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The Four Horsemen of the Apocalypse, 1887 (oil on canvas)
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The Garden of Earthly Delights, 1490-1500 (oil on panel)
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After the Bath, (oil on canvas)
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Scene in the Tent of Edward The Black Prince after the Battle of Poitiers
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The Seven-Headed Beast and the Beast with Lamb's Horns
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The plague of locusts and a dragon threatening a woman (fresco)
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Scene from the Apocalypse, St. John devouring the Book, Latin edition, 1511 (woodcut)
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The Last Judgement, engraved by Charles Mottram (1807-76) pub
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The Fourth Angel Poured out his Bowl on the Sun, no. 60 in
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Ms 422 The Opening of the Sixth Seal, from an Apocalypse (vellum)
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Ms L. A. 139-Lisboa fol. 27 The witnesses are left unburied
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Ms L. A. 139-Lisboa fol. 59 An angel leading St. John the Evangelist to the Harlot of
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Ms L. A. 139-Lisboa fol. 34 The red dragon handing over his power to the beast of the sea
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The Angel with an Open Book, no. 27 from The Apocalypse of Angers
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Ms 422 fol. 22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum)
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Presages of the Millennium, published by Hannah Humphrey in 1795 (hand-coloured etching
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The Second Trumpet and the Shipwreck, number 21 from The Apocalypse of Angers
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The Great Day of His Wrath, engraved by Charles Mottram (1807-76)
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After the Masked Ball, 1871 (oil on canvas)
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San Francisco after the Earthquake of 1906, 1906 (silver gelatin print)
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The Last Angel, 1912 (tempera on cardboard)
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Apocalyptic scene, Castel Sant Elia, Nepi, Italy (fresco)
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Ms L. A. 139-Lisboa fol. 29 God rescuing the male child from being devoured by the red
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Ms L. A. 139-Lisboa fol. 28 The 7th angel blowing his trumpet
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Ms L. A. 139-Lisboa fol. 26v The Temple of God is preserved whilst the army of Nations
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Ms L. A. 139-Lisboa fol. 20 Army of horsemen, from the Gulbenkian Apocalypse, c
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