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Head of Boy, 1594-1615 (Chalk)
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Head of Boy, 1594-1615 (Chalk)
7261597 Head of Boy, 1594-1615 (Chalk) by Ansaloni, Vincenzo (d.1615); 15.5x11 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Head of Boy. 1594-1615. The boy is looking to the right side. The drawing is mainly in done in black, with a small amount of flesh tones used for the face; Drawing; Ansaloni, Vincenzio.); © Maidstone Museum and Bentlif Art Gallery
Media ID 25301281
© Maidstone Museum and Bentlif Art Gallery / Bridgeman Images
Draughtsman Faces Illustrating Internal Anatomy Internal Organ Sclupture Sculptrue Sculpure Sculputre Sculputures Scultpure Scuplture Scupture Scuptures Anatomist Portait Portriat
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EDITORS COMMENTS
This print showcases the exquisite artwork titled "Head of Boy, 1594-1615 (Chalk)" by Vincenzo Ansaloni. The piece, measuring 15.5x11 cm, is housed in the prestigious Maidstone Museum and Art Gallery in Kent, UK. The drawing depicts a young boy gazing towards the right side with an air of innocence and curiosity. Ansaloni's masterful use of black chalk creates striking contrasts while delicately incorporating flesh tones to bring life to the boy's face. Dating back to the late 16th or early 17th century, this portrait exemplifies the artistic techniques prevalent during that era. The intricate details capture not only the physical features but also convey a sense of emotion and personality. Ansaloni's expertise as a draughtsman shines through in this remarkable illustration. His skillful rendering captures every nuance of the boy's anatomy and facial expression with meticulous precision. This timeless work of art transports viewers back to a bygone era, offering glimpses into both historical context and artistic brilliance. Its vibrant colors add depth and richness to its overall composition. As we admire this enchanting portrayal, we are reminded of how art has transcended time, allowing us to connect with individuals from centuries past on an emotional level. This print serves as a testament to Vincenzo Ansaloni's talent as well as our enduring fascination with portraiture throughout history.
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