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Entrance Hall, c. 1901 (colour lithograph)
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Entrance Hall, c. 1901 (colour lithograph)
991164 Entrance Hall, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Entrance Hall. An illustration from a group of three portofolios entitled Meister der Innenkunst, published by Alex Koch (1902). Emil Hochdanz (1816-1885) after Charles Rennie Mackintosh (1868-1928). Colour lithograph. Designed circa 1901. 40.5 x 53.3cm. The designs were submitted to 1901 competition to design the House for a Lover of Art.); Photo eChristies Images; Scottish, out of copyright
Media ID 23293276
© Christie's Images / Bridgeman Images
1901 20th Century Decorative Arts Alex Koch Artist German Balconies Balcony Bordered Brown Brown Colour Capital Letter Charles Rennie Mackintosh Competing Competition Competitive Competitor Cream Cream Coloured Dark Emil Hochdanz Entrance Hall Frame German Art German Artist Glasgow Four Glasgow School Hochdanz House For A Lover Of Art Interior Design Ivory Jugendstil Language Lithographic Lithoprint Mackintosh Medium Group Medium Group Of Objects Meister Der Innenkunst Modern Style Nouveau Portfolio Prints Publication Publisher Rennie Mackintosh Scottish Artist Scottish Artists Spook School Stile Liberty Artist British British Artist Interior Decoration
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EDITORS COMMENTS
This print showcases the stunning "Entrance Hall" designed by Charles Rennie Mackintosh in 1901. The colour lithograph, measuring 40.5x53.3 cm, is part of a private collection and was published in Meister der Innenkunst by Alex Koch in 1902. The intricate details of this early twentieth-century interior are brought to life through the cream-colored walls and brown accents that adorn the space. With no person present, the focus remains solely on the impeccable interior design elements that make this entrance hall truly remarkable. Mackintosh's design for this house was submitted as part of a competition to create a House for a Lover of Art in 1901. His innovative approach to architecture and decorative arts earned him recognition as one of the leading figures of the Art Nouveau movement. The lithograph beautifully captures every aspect of Mackintosh's vision, from the balcony with its delicate railing to the carefully curated décor throughout. The composition exudes elegance and sophistication, showcasing Mackintosh's mastery over form and function. As we gaze upon this extraordinary piece, we are transported back in time to an era where artistry reigned supreme. This print serves as a testament to Mackintosh's genius and his lasting impact on European art and design during the early twentieth century.
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