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Glasgow School Prints
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The Coming of Spring, 1899 (oil on canvas)
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Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)
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Design for a Music Room with panels by Margaret Macdonald Mackintosh (1865-1933
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View of the exterior of the school, built 1897-99 (photo)
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Under the Apple Tree, 1896-99 (oil on canvas)
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Panel (stained glass)
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Faded roses, 1905 (w/c on paper)
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Decorative wall panel (painted oak)
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Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)
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Light fitting
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Folding screen, 1901 (walnut veneer)
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The Dance of Spring (oil on canvas)
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On the River, Sainte-Gertrude, Caudebec, Normandy (oil on canvas)
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Domino Clock, 1917 (ebonised wood with ivory and plastic inlay)
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Old Willie - The Village Worthy, 1886 (oil on canvas)
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Pinks (w/c on paper)
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O Ye All Ye That Walk in Willow Wood, 1903 (painted gesso with twine & coloured beads)
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An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms
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Four spoons for Miss Cranstons Tearooms
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Study of a Rhododendron, 1915 (pencil and w / c on paper)
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Designs for writing desks shown in front and side elevations
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Armchair designed for the Argyle Street Tea Rooms, Glasgow, 1896 (stained oak)
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The May Queen, 1900 (pencil, w / c & bodycolour, heightened with silver
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Design for a wardrobe, shown in elevation, with half-full size details of decorative
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Design for a wardrobe, shown in elevation of the front and interior, c
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Design for benches and a table, shown in elevation and section plan, 1898 (pencil
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Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)
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Glasgow School of Art, Renfrew Street (North) entrance (photo)
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Figure in Arabian cloak and turban holding a lantern, 1902 (painted oak) (detail of 45878)
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Bedroom suite for the guest bedroom at 78 Derngate
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Fabric design, 1916 (pencil & bodycolour on oiled tracing paper)
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Oak Armchair, c.1897 (oak wood and rush)
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High backed chair designed for Miss Cranston's Argyle Street Tea Rooms
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A stained glass panel depicting stylised roses (leaded stained glass, wooden frame)
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Conversazione Programme, from the Glasgow Architectural Association, 1894 (colour litho)
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Sidechair, c. 1905 / 10 (ebonised wood)
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Rare and important high-back chair, c. 1898-99 (oak)
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Dining Room, c. 1901 (coulour lithograph)
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Entrance Hall, c. 1901 (colour lithograph)
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Design for an umbrella, hat and coat stand, shown in elevation and plan, c
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Stationery design for John Orr & Sons, Glasgow, c. 1894-1898 (printed paper)
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Nursery, c. 1901 (colour lithograph)
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Cabinets, made for 14 Kingsborough Gardens
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Blue and pink tobacco flower design
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Design for a Dining Room, 1901 (colour litho)
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Pen box for the White Bedroom, Hous'Hill
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Textile design (w/c & pencil on brown paper)
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High backed chair, c. 1897 (dark stained oak with rush seat & pierced oval back rails
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Hat, coat and umbrella stand for White Dining Room, Ingram Street Tearooms, 1905
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Cactus Flower (w / c on paper)
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Glasgow School of Art boardroom, now known as the Mackintosh Room (photo)
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Designs for an upholstered chair and a spindle chair shown in elevation and plans
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Hanging shade, c. 1900 (metal & leaded glass)
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Two ladder back chairs, for Miss Cranstons Tea Rooms, Glasgow, c. 1903 (stained oak)
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Design for an oak armchair, shown in front and side elevations, 1905 (pencil & w / c)
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Design for an exhibition stand for Francis Smith, used at the Glasgow Exhibition
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Card table designed for the Argyle Street Tea Rooms, Glasgow, 1888-89 (stained oak)
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Textile design (w / c on paper)
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Armchair, c. 1897 (dark stained oak with rush seat & pierced side panels) (b / w photo)
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Panel of three stylised rose motifs in green and cream, for one back of a corner settle
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An armchair, made for the Luncheon Room
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The Lighthouse, 1927 (w/c over pencil on paper)
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Reception and Music Room, c. 1901 (colour lithograph)
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Certosa di Pavia, studies of the ceiling decoration, 1891 (pencil, watercolour)
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Design for a Bookplate, 1896 (pencil on paper)
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Armchair, designed in 1897 (oak with rush seat)
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Light fitting above fireplace in the Willow Tea Room
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Dining room suite, c.1918-19 (wood inlaid with mother-of-pearl & aluminium)
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Design for a Music Room, c. 1901 (colour lithograph)
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Design for a wall, table and doors, for A. S. Ball, Berlin, 1905 (pencil, watercolour)
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Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour)
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Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour)
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Fabric Design, 1916 (pencil & bodycolour on oiled tracing paper)
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The White Cockade, illustration for a menu, 1911 (colour litho)
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Design for a clock face, for W. J. Bassett-Lowke, 1917 (pencil & w / c)
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Designs for chairs shown in front and side elevations, for the Room de Luxe
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Anemones, c.1915-16 (w/c & pencil on paper)
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Side chair, one of a pair, made for Miss Cranston's Argyle Street Tearooms
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Design for a wall, table and doors, 1905 (w/c over pen & ink on paper)
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Chair in the Drawing Room, Hous'Hill
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One of a pair of armchairs for the Blue Bedroom
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Washstand, c.1917 (mahogany inlaid with mother-of-pearl and green erinoid)
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Hat, coat and umbrella stand for the Argyle Street Tearooms, 1897 (oak wood)
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Writing desk for Hill House, Helensburgh, c.1902 (open) (see 71064)
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