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THE CORSICAN MACHEATH DESIGNED. 1803 (engraving)
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THE CORSICAN MACHEATH DESIGNED. 1803 (engraving)
7262205 THE CORSICAN MACHEATH DESIGNED. 1803 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington, UK; (add.info.: THE CORSICAN MACHEATH DESIGNED. by Woodward/ Isaac Cruikshank published Ackermann Sept 16 1803 cat:10102 An Invasion print. Napoleon is singing. The words are a parody of Air Lii from the Beggars Opera)
Media ID 25300887
© Bridgeman Images
Allegoric Allegories Allergoric Alllegorical Figure Army And Navy Bank Bonaparte Bonaparte 1769 1821 Bonaparte Family Conveyances Corsica Emperor Napoleon I Female Musician First French Empire 1804 1815 Great Musicians Ier Empire Imperials Invasion Islands Isles Military Uniforms Musical Singer Musican Musicans Napoleon 1st Napoleon Empereur Napoleon I Napoleon I 1769 1821 Napoleon I 1st 1st Bonaparte 1769 1821 Napoleon I Of France Napoleon Ist Napoleon Ist Of France Naval School Playing Music Singer Singers Symbole Symbolical Representation Symbolised Symbolising Symbology Vehicle Vehicle Types Vehicles Vocalist Allegorical C European Economic Community C European Union Means Of Conveyance Musics Symbolic Symbols
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The Corsican Macheath Designed
EDITORS COMMENTS
is a captivating 19th-century engraving by Isaac Cruikshank that depicts an allegorical scene filled with symbolism and satire. The print, housed in the Bromley Museum in Orpington, UK, showcases Napoleon Bonaparte singing while standing on a boat near the shore of Corsica. The image serves as a parody of Air Lii from "The Beggars Opera" with the lyrics altered to mock Napoleon's ambitions and military conquests. This satirical drawing reflects the historical context of the time when France was under Napoleon's rule and Great Britain faced potential invasion. Cruikshank's intricate artwork portrays various elements such as army troops, naval vessels, and means of conveyance like tugboats. The military uniform worn by Napoleon emphasizes his role as a symbol of power during his reign over the First French Empire. Through this engraving, Cruikshank cleverly combines history and humor to comment on political events. His work captures both the tensions between European powers at that time and provides insight into popular sentiment towards Napoleon's expansionist policies. As viewers engage with "The Corsican Macheath Designed" they are transported back to an era where art served as a medium for social commentary. This print not only showcases Cruikshank's artistic talent but also highlights his ability to capture complex narratives within one compelling image.
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