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The Master of the Ordnance exercising his Hobby, 1819 (engraving)
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The Master of the Ordnance exercising his Hobby, 1819 (engraving)
NAM195687 The Master of the Ordnance exercising his Hobby, 1819 (engraving) by Cruikshank, Isaac (1756-1811); National Army Museum, London; (add.info.: satirical print about the Duke of Wellingtons reputation with women; ); eNational Army Museum; Scottish, out of copyright
Media ID 22931778
© National Army Museum / Bridgeman Images
1769 1852 Aiming Arthur Wellesley Back Canon Humourous Lothario Lust Mounted Suggestive Wellington Womaniser Straddling
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The Master of the Ordnance - A Satirical Glimpse into Wellington's Reputation with Women
EDITORS COMMENTS
. This intriguing engraving, created by Isaac Cruikshank in 1819, offers a humorous and satirical perspective on the Duke of Wellington's notorious reputation as a ladies' man. Titled "The Master of the Ordnance Exercising his Hobby" this print captures the essence of Wellington's charismatic allure. In this caricature, we see an aristocratic figure representing Wellington himself, mounted on a cannon and straddling it with confidence. With mischievous intent gleaming in his eyes, he takes aim at an unseen target while surrounded by adoring women who are captivated by his charm. Cruikshank cleverly uses suggestive imagery to convey Wellington's lustful nature without being overtly explicit. The composition hints at the Duke's amorous adventures within high society circles during that era. Wellington was known for his charisma and appeal to women from all walks of life. This print playfully portrays him as a Lothario, highlighting both his status as an aristocrat and his irresistible magnetism towards women. As one gazes upon this artwork, it becomes evident that Cruikshank intended to poke fun at societal norms while shedding light on Wellington's romantic escapades. The engraving serves as a reminder that even those in positions of power can have their weaknesses exposed through satire. Now preserved in London's National Army Museum, this piece continues
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