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Master Billys Procession to Grocers Hall, pub. 1784 (hand coloured engraving)

Master Billys Procession to Grocers Hall, pub. 1784 (hand coloured engraving)


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Master Billys Procession to Grocers Hall, pub. 1784 (hand coloured engraving)

2962496 Master Billys Procession to Grocers Hall, pub. 1784 (hand coloured engraving) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info.: William Pitt the Younger (1759 - 1806) on his way to dine with the Grocers Company and receive the Freedom of the City on 28th February 1784; ); The Stapleton Collection; English, out of copyright

Media ID 22695686

© The Stapleton Collection / Bridgeman Images

Banners Billy Coins Crest Guild John Wilkes Pomp Trade Association Gold Box


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > John Barnard

> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > John Watkins

> Arts > Artists > William Turner

> Arts > Music

> Arts > Pop art > Satire > Satirical artwork

> Arts > Portraits > Pop art gallery > Street art portraits

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > London > Boroughs > City of London

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Artists > Thomas Rowlandson

> Fine Art Finder > Cartoons, Caricatures & Humour


EDITORS COMMENTS
This hand-coloured engraving, titled "Master Billy's Procession to Grocers Hall", captures a momentous event in the history of London. Created by Thomas Rowlandson in 1784, this print depicts William Pitt the Younger, then Prime Minister of Great Britain, on his way to dine with the Grocers Company and receive the Freedom of the City. The scene is filled with vibrant details that showcase both the grandeur and satirical nature of this procession. Banners flutter in the wind, musicians play lively tunes, and prominent figures such as John Wilkes can be seen among the crowd. The streets are lined with spectators eagerly observing this political ceremony unfold. Rowlandson's caricature style adds an element of humor to this otherwise formal occasion. The exaggerated features and playful expressions bring a sense of lightness to what would have been a pompous affair. Through his artistry, Rowlandson cleverly portrays not only Pitt's journey but also offers commentary on Georgian politics and society. This particular print is part of The Stapleton Collection and showcases Rowlandson's mastery as an engraver. Its historical significance lies not only in its depiction of a significant event but also in its ability to provide insight into 18th-century London life. As we gaze upon this image today, we are transported back in time to witness Master Billy's Procession firsthand - a moment frozen forever through Rowlandson's skillful handiwork.

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