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Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)
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Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)
GLS219817 Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper) by Mackintosh, Charles Rennie (1868-1928); 39x19.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection
Media ID 32178144
© © CSG CIC Glasgow Museums Collection / Bridgeman Images
Charles Rennie Mackintosh Glasgow School Mackintosh Charles Rennie 1868 1928 Scotland Scotish Scots Secession Jugendstyl Architects Art Style Britisch Britisch
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EDITORS COMMENTS
This print showcases "Part Seen, Imagined Part" by Charles Rennie Mackintosh, a renowned Scottish architect and artist. Created in 1896, this artwork is rendered in pencil and watercolor on tracing paper, measuring 39x19.5 cm. It is currently housed in the Art Gallery and Museum at Kelvingrove in Glasgow, Scotland. Mackintosh's distinct style is evident in this piece, which belongs to the art nouveau movement characterized by its organic forms and intricate designs. The delicate lines and subtle use of color create a dreamlike quality that invites viewers to explore their own imagination. The composition features a female figure surrounded by elements reminiscent of nature. A rose takes center stage, symbolizing beauty and femininity while also representing love and passion. Mackintosh's attention to detail can be seen in the intricate patterns adorning the woman's dress as well as the surrounding foliage. As an architect known for his innovative approach to design, Mackintosh seamlessly blends architectural elements with artistic expression in "Part Seen, Imagined Part". This fusion creates a harmonious balance between structure and aesthetics. This print captures not only the beauty of Mackintosh's work but also highlights his significant contribution to both Scottish art history and European art movements of his time.
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