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La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk
![La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk](/p/690/la-donna-della-finestra-the-lady-pity-23356188.jpg.webp "La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk")
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La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk
BIR189841 La Donna Della Finestra [The Lady of Pity], 1881 (oil on canvas over black chalk under-drawing) by Rossetti, Dante Gabriel Charles (1828-82); 95.9x87 cm; Birmingham Museums and Art Gallery; (add.info.: sitter is Jane Morris (1839-1914); The Lady at the Window; ); English, out of copyright
Media ID 23356188
© Bridgeman Images
Model Unfinished Epitome Pre Raphaelite
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EDITORS COMMENTS
The captivating print of "La Donna Della Finestra [The Lady of Pity]" transports viewers to a world of beauty and melancholy. Painted by the renowned artist Dante Gabriel Charles Rossetti in 1881, this masterpiece showcases his exceptional talent and mastery of the Pre-Raphaelite style. Measuring at an impressive 95.9x87 cm, this oil on canvas over black chalk under-drawing depicts a woman seated by a window. The sitter is none other than Jane Morris, whose ethereal presence adds an air of mystery to the composition. Known as "The Lady at the Window" she personifies both pity and beauty simultaneously. Rossetti's work remains unfinished, yet it exudes a sense of raw emotion that captivates all who lay eyes upon it. This print captures every intricate detail, allowing one to appreciate the delicate brushstrokes and subtle nuances present in the original artwork. As we gaze upon this stunning piece from Birmingham Museums and Art Gallery, we are reminded of Rossetti's ability to convey profound emotions through his art. With its epitome study on pity and its portrayal of exquisite feminine grace, "La Donna Della Finestra" continues to inspire awe even after all these years. This Bridgeman Images print serves as a timeless reminder that true beauty lies not only in perfection but also in vulnerability – encapsulating everything that makes Rossetti's work so revered within the art world today.
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