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Unfinished Prints
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Portrait of Wolfgang Amadeus Mozart (1756-91) at the Piano, 1789 (oil on canvas)
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The Right Honourable G. N. Barnes, PC, 1919 (oil on canvas)
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Madame Théodore Gobillard, 1869 (oil on canvas)
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3614053 Salvator Mundi, c.1505 (oil on linden) by Dürer or Duerer
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The Biltmore Hotel, Coral Gables, near completion, 1926 (b/w photo)
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Study for the Crochet Worker, Miss Mary Ann Purdon (oil on panel)
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Unfinished design for museum building
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Unfinished design for Goethe monument in square in Vienna
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Unfinished design for the Russian Imperial Embassy in Vienna
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Unfinished rose quartz piece China, early 20th century
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Unfinished design for church in Soborsin (longitudinal section)
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Unfinished colossal head, Villahermosa
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Unfinished design for the Russian Imperial Embassy
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Unfinished design for the Russian Imperial Embassy in Vienna (cross section)
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Franz Heinrich Corinth, the Artist's Father, 1888 (oil on canvas)
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Portrait of the Artist's Daughter, Marie, 1817 (oil on canvas mounted on cardboard)
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Portrait of the Artist's Son, Karl, 1817 (oil on canvas mounted on cardboard)
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Unfinished design for church in Soborsin
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Unfinished design for the Russian Imperial Embassy (longitudinal section)
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Portrait of a Boy, 1872
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View of the Great Hall c.1781 (w/c & pencil on paper)
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View of Mercara Fort (Coorg) c.1840 (pen & ink with w/c on paper)
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Linlithgow Palace, Scotland, 1801 (w/c over pencil on paper)
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Untired she read the legend page
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Unfinished Confederate shoes
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The Deathbed of Mozart Amadeus Mozart 1791
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Portrait of Tsar Nicholas II (1868-1918), 1911 (colour litho)
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Don Quixote Reading, 1865-67 (oil on canvas)
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Study of a figure representing Astronomy (pen & ink with wash)
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A street in Cologne with the unfinished cathedral in the centre, 1684 (oil on panel)
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Self portrait as a young man (oil on canvas)
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St Jerome, c. 1480-82
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Kitchen Maid, Butcher and Boy around a Table (oil on canvas)
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A Quarry, 1827 (oil on paper)
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The Road to Calvary, lunette from the fresco cycle of the Passion, 1523-6 (fresco)
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The clerk Nabin kills his wife Elokeshi with a vegetable peeler, c. 1880 (w / c on paper)
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Portrait of William Wilberforce (1759-1833) by George Richmond (1809-96) (oil on canvas) (see 15222)
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Archangel St. Michael, c. 1450 (ink on vellum)
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Centaur kidnapping a nymph (pen & ink & gouache on oiled paper)
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Deposition, lunette from the fresco cycle of the Passion, 1523-6 (fresco)
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Portrait of Gaetano Donizetti (1797-1848) (oil on paper on canvas)
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The Nativity, 1460-62 (fresco)
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F. 9 Plumbagus xylenica;Procris montana, c. 1790-95 (w / c & ink on paper)
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Sir Charles Walston, before 1937 (oil on canvas)
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Bathsheba (pencil & oil on panel)
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Landscape Study for Santisima Trinita, c. 1924 (pencil & oil on paper)
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Seated Nude, c. 1919 (pen & wash over pencil)
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Portrait of Monet c. 1884 (oil on canvas)
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English Camel Corps, Sudan, 1884 / 5 (pencil & w / c on paper)
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Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
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Portrait sketch of Mr Allen McDonough for Steeple Chase Cracks, 1846 (gouache on paper)
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The Awakening Slave, 1519-20 (marble)
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Erling Merton, 1932 (oil on canvas)
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Tsar and Artist. Emperor Nicholas I in the artists atelier, 1883 (oil on canvas)
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Adoration of Magi, 1850, by Gaetano Previati (1852-1920), watercolor on paper, 23x52 cm
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Bearded Slave, c. 1520-23 (marble)
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Atlas Slave, c. 1520-23 (marble)
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The Awakening Slave, 1519-20 (marble)
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Young Slave, c. 1520-23 (marble)
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Awakening Slave, c. 1520-23 (marble)
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The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas)
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Vaudeville Figure, (watercolour and pencil on paper)
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Portrait of a man, full-length, handing a letter to a boy, in an interior (oil on panel)
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A Portrait of Kathleen Newton, 1877 (oil on canvas)
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Diane (marble)
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Study of a Syrian Woman, 1876 (oil on canvas)
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Study of Dancers; Etude de Danseuses, (charcoal and pastel on paper)
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Jeune Fille au Chignon, 1882 (oil on canvas)
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Etude pour passe, c. 1908 (pastel)
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Simone in a Blue Bonnet (No. 1), c. 1903 (oil on canvas)
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Snowdon, c. 1820 (watercolour on paper)
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The Honourable Mrs Norton, c. 1850 (oil, charcoal & crayon on canvas)
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J Craig Annan, 1916 (etching)
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Amalie Zuckerkandl, 1917-18 (oil on canvas)
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Page 178a. Zamia, c. 1803-06 (pen, ink and pencil)
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Study for La Musique, 1893 (charcoal on laid paper)
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ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash)
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Brown Study (oil on canvas)
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Rabaut Saint-Etienne, c. 1791 (oil on canvas)
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Stableyard with Horse (b / c & w / c on paper)
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View of the Church of San Marcuolo (b / w photo)
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