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"There was an Old Person of Buda, whose conduct grew ruder and ruder", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
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"There was an Old Person of Buda, whose conduct grew ruder and ruder", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
LLM386658 " There was an Old Person of Buda, whose conduct grew ruder and ruder", from A Book of Nonsense, published by Frederick Warne and Co. London, c.1875 (colour litho) by Lear, Edward (1812-88); Private Collection; (add.info.: Written 1846; ); © Look and Learn
Media ID 25499292
© Look and Learn / Bridgeman Images
Absurd Childrens Corporal Punishment Discipline Hammer Hammering Hitting Humourous Limerick Limericks Mallet Punishing Rhyme Rhymes Rude Rudeness Smashing Violent Verse
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EDITORS COMMENTS
This colorful lithograph print captures the essence of Edward Lear's famous limerick, "There was an Old Person of Buda, whose conduct grew ruder and ruder". Published in A Book of Nonsense by Frederick Warne and Co. in London around 1875, this satirical drawing brings to life the absurdity and humor found within Lear's poetry. The image depicts an elderly man from Buda whose behavior becomes increasingly impolite. With a mischievous grin on his face, he wields a large mallet, ready to smash anything that comes his way. The illustration conveys both violence and discipline as the hammer serves as a tool for punishing rudeness. Lear's witty verse is cleverly intertwined with the visual narrative, emphasizing the old person's unruly nature through text incorporated into the artwork. This combination of rhyme and illustration creates a playful atmosphere that appeals not only to children but also to adults who appreciate Victorian literature. The vibrant colors used in this lithograph add depth and liveliness to the scene while capturing the attention of viewers. Through its humorous depiction of rude behavior accompanied by exaggerated actions, this print invites us into Lear's whimsical world where nonsense reigns supreme. As part of a private collection now preserved for posterity, this artwork reminds us of Lear's enduring legacy as one of Britain's most beloved poets and illustrators.
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