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Hammering Prints

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Hammering Prints: The headache, from the series L Imagination, c. 1830 (litho) (b / w photo)

The headache, from the series L Imagination, c. 1830 (litho) (b / w photo)
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Hammering Prints: Al Andalus

Al Andalus
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Hammering Prints: The hammering of bars of metal

The hammering of bars of metal
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Hammering Prints: The Shoemaker, 1918. Boris Mikhaylovich Kustodiev (1878-1827) Russian painter and stage designer

The Shoemaker, 1918. Boris Mikhaylovich Kustodiev (1878-1827) Russian painter and stage designer
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Hammering Prints: Poster for the German People's Party, 1919 (colour litho)

Poster for the German People's Party, 1919 (colour litho)
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Hammering Prints: Steel production: Forge, A with bellows to produce draught

Steel production: Forge, A with bellows to produce draught
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Hammering Prints: Smelting iron, A, and hammering bars with a mechanical hammer

Smelting iron, A, and hammering bars with a mechanical hammer
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Hammering Prints: Hammering a member of the London stock market

Hammering a member of the London stock market
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Hammering Prints: The workshop from Heart by Edmondo De Amicis (1846-1908), drawing

The workshop from Heart by Edmondo De Amicis (1846-1908), drawing
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Hammering Prints: Cotton Claudius B IV fol.10 Lamech and his two wives and his son

Cotton Claudius B IV fol.10 Lamech and his two wives and his son
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Hammering Prints: The Forge, c.1855 (oil on canvas)

The Forge, c.1855 (oil on canvas)
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Hammering Prints: Mechanical forces

Mechanical forces
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Hammering Prints: Artist's reconstruction of a late Iron Age forge

Artist's reconstruction of a late Iron Age forge
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Hammering Prints: Ancient Egypt, Wall carving/painting

Ancient Egypt, Wall carving/painting
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Hammering Prints: The Little Smithy, 1894 (oil on canvas)

The Little Smithy, 1894 (oil on canvas)
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Hammering Prints: Jael kills Sisera, 1515-19 (woodcut)

Jael kills Sisera, 1515-19 (woodcut)
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Hammering Prints: Jael killing Sisera, c. 1523 (woodcut)

Jael killing Sisera, c. 1523 (woodcut)
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Hammering Prints: Jesus being nailed to the Cross, detail of the altarpiece (painted wood)

Jesus being nailed to the Cross, detail of the altarpiece (painted wood)
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Hammering Prints: The Crucifixion (oil on canvas)

The Crucifixion (oil on canvas)
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Hammering Prints: In the Smith, 1911 (oil on canvas)

In the Smith, 1911 (oil on canvas)
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Hammering Prints: Historiated initial M depicting a metalworker

Historiated initial M depicting a metalworker
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Hammering Prints: The Crucifixion and the Glorification of the Ten Thousand Martyrs on Mount Ararat (oil on canvas)

The Crucifixion and the Glorification of the Ten Thousand Martyrs on Mount Ararat (oil on canvas)
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Hammering Prints: Mars and Venus at the Forge of Vulcan (oil on canvas)

Mars and Venus at the Forge of Vulcan (oil on canvas)
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Hammering Prints: Plate 377. Blacksmith, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)

Plate 377. Blacksmith, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)
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Hammering Prints: The Little Forge, 1875 (drypoint)

The Little Forge, 1875 (drypoint)
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Hammering Prints: Sigurd goes to the dwarf Mime, from the Sigurd Saga, Lower Hall, c. 1882-83 (mural)

Sigurd goes to the dwarf Mime, from the Sigurd Saga, Lower Hall, c. 1882-83 (mural)
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Hammering Prints: The Stone Breakers, 1897 (tempera on canvas)

The Stone Breakers, 1897 (tempera on canvas)
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Hammering Prints: Historiated initial O depicting the Kiss of Judas and the Crucifixion, c

Historiated initial O depicting the Kiss of Judas and the Crucifixion, c
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Hammering Prints: Building of the great staircase, Opera, Paris (engraving)

Building of the great staircase, Opera, Paris (engraving)
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Hammering Prints: Hephaestus and Cyclopes forging the shield of Achilles (marble) (b / w photo)

Hephaestus and Cyclopes forging the shield of Achilles (marble) (b / w photo)
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Hammering Prints: The Prince of Wales Fixing the Last Rivet in the Victoria Bridge

The Prince of Wales Fixing the Last Rivet in the Victoria Bridge
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Hammering Prints: Man working in the Hardman, Peck & Co. piano factory, New York

Man working in the Hardman, Peck & Co. piano factory, New York
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Hammering Prints: Ms 62 f. 215r St. Eligius making a Shrine; St. Eligius at an Anvil, from a Book of Hours

Ms 62 f. 215r St. Eligius making a Shrine; St. Eligius at an Anvil, from a Book of Hours
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Hammering Prints: The Locksmith, 1635 (engraving)

The Locksmith, 1635 (engraving)
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Hammering Prints: Minting coins with hand-held tools, c. 1550 (woodcut)

Minting coins with hand-held tools, c. 1550 (woodcut)
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Hammering Prints: Nailing the base of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)

Nailing the base of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)
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Hammering Prints: Our church at Sundborn (colour litho)

Our church at Sundborn (colour litho)
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Hammering Prints: Rose Window, 1866 (stained glass)

Rose Window, 1866 (stained glass)
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Hammering Prints: Prometheus being nailed to the Rock by Hephaestus, Kratos and Bia

Prometheus being nailed to the Rock by Hephaestus, Kratos and Bia
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Hammering Prints: Plate 378. Blacksmith, Hammering on Anvil, Two Hands, 1872-85 (collotype on paper)

Plate 378. Blacksmith, Hammering on Anvil, Two Hands, 1872-85 (collotype on paper)
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Hammering Prints: Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)

Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)
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Hammering Prints: The State Tinkers, published by William Humphrey in 1780 (etching)

The State Tinkers, published by William Humphrey in 1780 (etching)
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Hammering Prints: Two men working in the Harrington Piano Co. factory, 1907 (silver gelatin print)

Two men working in the Harrington Piano Co. factory, 1907 (silver gelatin print)
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Hammering Prints: The Forge of Vulcan (pen & ink with wash, heightened with gouache on paper)

The Forge of Vulcan (pen & ink with wash, heightened with gouache on paper)
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Hammering Prints: By Industry We Thrive, published by Kimmel and Voigt, 1873 (colour litho)

By Industry We Thrive, published by Kimmel and Voigt, 1873 (colour litho)
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Hammering Prints: The Forge of Vulcan, from House VII, Pompeii, c. 50-79 AD (fresco)

The Forge of Vulcan, from House VII, Pompeii, c. 50-79 AD (fresco)
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Hammering Prints: Gold beating in a London workshop (sepia photo)

Gold beating in a London workshop (sepia photo)
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Hammering Prints: An early sixteenth-century European mint, from Der Weisskunig (engraving)

An early sixteenth-century European mint, from Der Weisskunig (engraving)
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Hammering Prints: The Forge of Vulcan, 1572 (slate)

The Forge of Vulcan, 1572 (slate)
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Hammering Prints: Ms 62 f. 215r St. Eligius making a Shrine; St. Eligius at an Anvil, from a Book of Hours

Ms 62 f. 215r St. Eligius making a Shrine; St. Eligius at an Anvil, from a Book of Hours
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Hammering Prints: Vulcans Forge, c. 1660 (oil on canvas)

Vulcans Forge, c. 1660 (oil on canvas)
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Hammering Prints: Credit National - Souscrivez pour la reconstitution des regions devastees, c

Credit National - Souscrivez pour la reconstitution des regions devastees, c
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Hammering Prints: The Forge, 1630-35 (engraving)

The Forge, 1630-35 (engraving)
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Hammering Prints: By Hammer and Hand all Arts doth Stand (oil on canvas)

By Hammer and Hand all Arts doth Stand (oil on canvas)
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Hammering Prints: Blacksmiths, c. 1870s (b / w photo)

Blacksmiths, c. 1870s (b / w photo)
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Hammering Prints: Ms 547 fol. 21 Christ being nailed to the cross, from a Book of Hours used by a woman

Ms 547 fol. 21 Christ being nailed to the cross, from a Book of Hours used by a woman
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Hammering Prints: Relief depicting the interior of a forge (stone)

Relief depicting the interior of a forge (stone)
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Hammering Prints: Men in a workshop hammering sheets of copper for the construction of the Statue of

Men in a workshop hammering sheets of copper for the construction of the Statue of
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Hammering Prints: A Copper-Smith, published by Hartman Schopper (woodcut) (b / w photo)

A Copper-Smith, published by Hartman Schopper (woodcut) (b / w photo)
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Hammering Prints: Relief depicting a blacksmiths shop and tools (stone)

Relief depicting a blacksmiths shop and tools (stone)
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Hammering Prints: I am Thirsty (polychrome wood)

I am Thirsty (polychrome wood)
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Hammering Prints: The Blacksmiths Forge (oil on canvas)

The Blacksmiths Forge (oil on canvas)
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Hammering Prints: Plate 491. A, Hammering at Anvil; B, Hammering at Anvil, 1872-85 (collotype on paper)

Plate 491. A, Hammering at Anvil; B, Hammering at Anvil, 1872-85 (collotype on paper)
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Hammering Prints: Fitting on the ornament of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)

Fitting on the ornament of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)
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Hammering Prints: Blind man placing iron hoops on brooms at the Bourne Memorial Building, New York

Blind man placing iron hoops on brooms at the Bourne Memorial Building, New York
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Hammering Prints: Blacksmith, illustration from the Encyclopedie des Sciences et Metiers

Blacksmith, illustration from the Encyclopedie des Sciences et Metiers
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Hammering Prints: Building ark, 17th century, Flemish painting, painting on copper

Building ark, 17th century, Flemish painting, painting on copper
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Hammering Prints: Constructing a Bridge on Water, illustration from L Art de l Artillerie

Constructing a Bridge on Water, illustration from L Art de l Artillerie
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Hammering Prints: Extracting Sainte-Anne Marble from a Quarry (oil on canvas)

Extracting Sainte-Anne Marble from a Quarry (oil on canvas)
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Hammering Prints: Because of the Heavy Blows Duke Charles Showered upon the Saracens he was Called

Because of the Heavy Blows Duke Charles Showered upon the Saracens he was Called
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Hammering Prints: Carving depicting a coppersmith, from a choir stall (wood)

Carving depicting a coppersmith, from a choir stall (wood)
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Hammering Prints: A Smithy at Seville (w / c, pen & ink on paper)

A Smithy at Seville (w / c, pen & ink on paper)
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Hammering Prints: The Money Minter, published by Hartman Schopper (woodcut) (b / w photo)

The Money Minter, published by Hartman Schopper (woodcut) (b / w photo)
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Hammering Prints: Plate 396. Pounding with a Mallet, 1872-85 (collotype on paper)

Plate 396. Pounding with a Mallet, 1872-85 (collotype on paper)
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Hammering Prints: Goldsmith (w / c on paper)

Goldsmith (w / c on paper)
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Hammering Prints: Pulvis Pyrius, plate 3 from Nova Reperta, engraved by Philip Galle, c. 1580-1605

Pulvis Pyrius, plate 3 from Nova Reperta, engraved by Philip Galle, c. 1580-1605
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Hammering Prints: Noah Building the Ark, 1356-67 (fresco)

Noah Building the Ark, 1356-67 (fresco)
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Hammering Prints: Shackling the convicts at Bicetre (wash on paper) (b / w photo)

Shackling the convicts at Bicetre (wash on paper) (b / w photo)
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Hammering Prints: Tour de la Ligue. Members of the Medici Court as the Gods of Olympus (mural) (detail)

Tour de la Ligue. Members of the Medici Court as the Gods of Olympus (mural) (detail)
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Hammering Prints: Cyclops in the Forge of Vulcan (pen & ink and red chalk on paper)

Cyclops in the Forge of Vulcan (pen & ink and red chalk on paper)
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Hammering Prints: Caricature of Victor Hugo (1802-85) from the front cover of La Petite Lune

Caricature of Victor Hugo (1802-85) from the front cover of La Petite Lune
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Hammering Prints: A Farrier shoeing a Horse (oil on canvas)

A Farrier shoeing a Horse (oil on canvas)
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