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Cover of "L Plate au beurre", number 85, Satirique en Couleurs
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Cover of "L Plate au beurre", number 85, Satirique en Couleurs
ICA4880107 Cover of " L Plate au beurre", number 85, Satirique en Couleurs, 1902_11_15: Mr. Minister - Budget Finances - Rouvier Maurice (1842-1911), Cheval Horses - Illustration by Vogel (1856-1918) by Vogel, Hermann (1856-1918); (add.info.: Cover of " L Plate au beurre", number 85, Satirique en Couleurs, 1902_11_15: Mr. Minister - Budget Finances - Rouvier Maurice (1842-1911), Cheval Horses - Illustration by Vogel (1856-1918)); Photo eCaricadoc; French, out of copyright
Media ID 22288900
© Caricadoc / Bridgeman Images
Animalization Finance Infantilisation A Journal Caricadoc Journalism Newspapers
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EDITORS COMMENTS
This print showcases the cover of "L Plate au beurre" number 85, Satirique en Couleurs from November 15,1902. The artwork features a satirical illustration by Hermann Vogel depicting Rouvier Maurice, the Minister of Budget Finances during that time. Vogel's intricate engraving skillfully portrays Rouvier as a horseman riding two cheval horses, symbolizing his role in managing France's financial affairs. The image is rich with political symbolism and commentary on the government's handling of finances in early 20th century France. Through animalization and infantilization techniques, Vogel highlights the power dynamics at play within the French government and press. The detailed portrayal of horses adds an additional layer to this thought-provoking piece. Horses have long been associated with strength and nobility, yet here they are used to represent politicians who may not always act in their constituents' best interests. As we delve into this historical artifact, it becomes evident that satire played a crucial role in shaping public opinion during this era. This particular journal cover serves as a reminder of how art can serve as both entertainment and social critique. With its impeccable craftsmanship and intriguing subject matter, this print offers viewers a glimpse into the vibrant world of political caricature during late 19th to early 20th century France.
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